“I wonder if you would consider coming to my house sometimes to sleep with me.”
“What? How do you mean?”
“I mean we’re both alone. We’ve been by ourselves for too long. For years. I’m lonely. I think you might be too. I wonder if you would come and sleep in the night with me. And talk.”
He stared at her, watching her, curious now, cautious….
….he stood at the door watching her, this medium-sized seventy-year-old woman with white hair walking away under the trees in the patches of light thrown out by the corner street lamp. What in the hell, he said. Now don’t get ahead of yourself.”
Haruf passed away a year ago, and his final novel, Our Souls at Night, about the blossoming of an older couple’s relationship, was just published.
Like his other novels, Our Souls at Night takes place in the fictitious eastern Colorado town of Holt. I’m not going to say too much about this book because Haruf’s writing doesn’t lend itself to heavy analysis; I think that might ruin it for readers new to this author.
Instead, I’ll refer you to this review by Ursula Le Guin, who greatly admires Haruf’s writing and does a good job of summarizing Haruf’s themes, characters and style.
If you are new to Kent Haruf, you could start with Plainsong. I think you’ll be entranced by the characters in the lonely little desert town of Holt and you’ll want to read the other books.
Our Souls at Night would make a wonderful holiday gift.
“They stopped in one of the towns for hamburgers and then drove up the highway through the Arkansas River canyon, the beautiful fast water, steep red jagged cliffs on each side, there were Rocky Mountain sheep along the road, all ewes with short sharp horns, and went on and then turned off toward North Fork Campground on County Road 240 and entered the national forest…..They could hear it running and rushing. The clear icy water, with brook trout holed up in the hollows below the rocks. There were tall fir trees and big ponderosas and aspen along the creek and back in the hillside.”
“She opens her eyes and looks at the television, a car commercial. An American couple achieves the top of a mountain, commanding a vista. She breathes in and breathes out. It is all right to retreat. She will pull back, she will redraw her boundaries. She will find her balance. When she emerges again, she will be refreshed, reenergized. She will be the best Rosalie she can be. The best and only.”
I’ve been reading more short stories lately, and I especially like these because they are linked: a protagonist in one story appears as a supporting character in the other stories, so that the collection reads like novel.
The stories are wickedly funny, psychologically complex, dark, uniquely American, and occasionally bleak – but leavened with an understated joy in the ebbs and flows and seasons of life. Living in suburbia and having raised children there, I find them so resonant.
Fictitious Old Cranbury is John Cheever and Mad Men territory, except post 9/11: an upscale Connecticut town on Long Island Sound, the home of a few have-nots but mostly haves. There is a memorial dedicated to five fathers who worked for Cantor Fitzgerald and were killed on September 11.
The houses of Old Cranbury form a motif that further links the stories. The restored salt boxes and farmhouses, pretentious mansions, and humbler ranches fitted with granite countertops and fake shutters reflect their inhabitants’ aspirations and obsessions.
Acampora has compassion for her characters, but she can be scathing, too. Rosalie, for example (see above quote) is the type of hyperactive suburban mother who does everything and knows everyone and gives over her life to her five children: she is on the school board, she is prominent in the PTA, she hosts a book club, she makes themed halloween costumes for the entire family, including her brain surgeon husband. She is a good Christian woman who understands she has been greatly blessed and decides to host a poor Bangladeshi foreign exchange student for a semester.
There is a wonderful turning point in the story when the student, Nayana, expresses her sympathy for Noah, Rosalie’s youngest. Rosalie is puzzled by this, and Nayana explains that Noah had revealed his true history to her: he was adopted into the family, having lost his birth father in 9/11. Noah’s story is sheer fabrication and Rosalie is horrified, having seen to it that her children have lacked for nothing.
Confronting Noah, she is undone by this previously unseen side of her son: it may as well be true, he says, because his neurosurgeon father is never around, implying that Rosalie, too, is lacking as a mother. Concurrent threads in the story reveal that the all-male members of the school board condescend to Rosalie and, most chillingly of all, her husband seems to view her with contempt.
I disliked Rosalie and was highly entertained by her, but at the same I recognized that, though she works hard and means well, she is an aging, marginalized woman in what is still a sexist culture. She is in many respects a throwback to the 1950s, pre-feminist, stay-at-home wives.
Another story is about a young single mother who meets a brain surgeon (yes, Rosalie’s husband) and really believes he will whisk her away to a glamorous life in Paris.
The brain surgeon gets his own story, and we find out he has a few really bizarre secrets of his own.
I loved the aging artist and his wife who transcend themselves to make one last work of art.
Then there’s the newly married advertising executive compelled to leave his job so he can follow his animal spirit.
And the 50-something real estate broker caught in traffic who decides to just stop; she turns off the ignition as cars maneuver around her and spends a long night in the driver’s seat, reviewing her life.
Here is a couple who live as though it’s the 18th century and regularly attend early American reenactments. I recognize this ritual of the children leaving home after a holiday visit:
“The next morning, Cheryl and Roger drive them to the airport. They embrace at the security gate. Both parents resist the itch to remind and advise, to command their son to complete the semester, to tell their daughter to skip Afrikaans. Instead, they let their children pull out of their arms and join the security line. They watch them remove their shoes and put them on the conveyer belt….They watch their children pass through the metal detector’s trellis and, on the other side, give a brief wave and disappear around a corner. They will sit together for the six-hour flight, then part ways in San Francisco, one aimed south, the other east. By the time the sun sets in New England, they will be speeding over freeways their parents have never driven, along the lurid blue coastline at the edge of America….”
In another story, the young adult children of some of the characters we’ve met go to a music festival, including Noah, Rosalie’s son, now a few years older. I love the final image in this passage, where we see Old Cranbury from the perspective of a young person who grew up there:
“Eventually, she will distance herself from the incident, tamp it into a story she tells at parties. She will put herself apart from the man who died. He was fundamentally different, she will rationalize, not from Old Cranbury, unanchored by good parents and constructive surroundings….Far off to the side, before the parking lot, Bethany notices a gathering of people on an open field. This would be the morning yoga session, offered to those able to rise early enough, still interested in breathing. The rows of people move in sync, adopting the same poses, configuring and reconfiguring their limbs like children experimenting with their bodies. Bethany watches as they all bend at once to plant their hands upon the bare field, then arch up in unison, a hundred arms saluting the sun.”
Oh, and, by the way, we haven’t seen the last of Rosalie, who rises like a phoenix in the final story.
Lauren Acampora lives in a suburban town much like the one she depicts. Her husband is an artist, and one of his works is the cover art for The Wonder Garden.
Thisis one book to add to your holiday wish list, and it’s a great book club choice.
Here is a video that features Lauren Acampora and her husband: