My Absolute Darling

MyAbsoluteDarling“Martin holds his burning cigarette upright. The cherry is just barely visible in the dark; above it, the tower of ash. He turns it slowly, inspecting it from all angles. He says, ‘You want me to eat that scorpion?’

‘Try it!’ Cayenne says.

Turtle can see that the girl wants to share this with him. She wants this to be something they’ve all done together. But Turtle doesn’t want him to do it. She wants to show Cayenne something important here, about her own substance and about Martin’s because Martin, Turtle thinks, is afraid.

Martin says, ‘You didn’t eat a scorpion.’

‘Why would we make this shit up?’ Turtle says.

Martin chews his lip. At last, he says, ‘You really want to see me eat this scorpion, huh?'” – My Absolute Darling, by Gabriel Tallent

This novel and its author have been getting so much attention, I had to find out what all the fuss was about. Stephen King declared My Absolute Darling a masterpiece, and there are endorsement quotes on the book jacket from Phil Klay, who won the National Book Award for the short story collection Redeployment, and Celeste Ng, author of the novel Everything I Never Told You. All are writers I’ve enjoyed whose opinions I respect.

On the other hand, another writer I like, Roxane Gay, the author of Bad Feminist, is not a fan of My Absolute Darling.

So readers are divided about this first novel by Gabriel Tallent, whose mother, by the way, is the writer Elizabeth Tallent. I decided to read other reviews before I wrote this post because I was conflicted about the novel, and I wanted to see if these could help clarify my thinking. If you are up for reading a disturbing story of incest and obsessive love, I do recommend My Absolute Darling. I think the book has flaws but, in the end, they didn’t fatally undermine the story for me, which is a true page-turner – I stayed up late reading it on two consecutive nights. And despite its dark theme, the protagonist, 14-year-old Turtle, is a brave, noble spirit I won’t soon forget.

Turtle lives with her father, Martin, on the northern California coast near Mendocino. Martin is an autodidact partial to reading David Hume and other inscrutable texts of the great philosophers, a survivalist waiting for the end of the world, and a sociopath who is sexually abusing his daughter. Guns are everywhere in their decrepit house, as well as stocks of food and medical supplies. Martin began teaching Turtle how to shoot when she was six, and now she is an excellent markswoman with superb survival skills.

Martin worships Turtle as a goddess he can’t live without, but his mood can turn on a dime and Turtle suddenly turns to filth in his eyes. Having endured this abuse for years, Turtle has a fragile sense of herself. When two boys from the local high school come into her life and Turtle develops a crush on one of them, Turtle realizes that forming bonds with others endangers them. Turtle must go to great lengths, both inside herself and out in the world, to break free from the dark power her father holds over her.

Tallent’s prose can be flashy and mesmerizing. There is a strong sense of place, with lush descriptions of coastal California. Sometimes the language is technical and the paragraphs are long, peppered with words I wasn’t familiar with but, generally, this didn’t bother me; other readers may feel this interferes with the story. I love good nature writing and, for the most part, I felt that Tallent nailed the dramatic beauty and wildness of the California coast.

The writing was sometimes over the top in other ways. For example, Martin, Turtle’s father, could be so senselessly sadistic, he sometimes wasn’t believable. I think the author wanted to write a keep-the-pages-turning story, and he may have been influenced by the current highly sensational nature of movies and television drama. I’m revealing my age as far as literary taste goes, and younger readers might not find aspects of the story so extreme. That said, there are also echoes of fine literary works evident, among them The Adventures of Huckleberry Finn and Lolita. These deepen and enrich the story of Turtle and Martin.

More problematic than Tallent’s occasionally self-conscious prose are issues that Roxane Gay points out in a Goodreads review. Gay, who has written about sexual abuse, feels that there are elements of Turtle and Martin’s incestuous relationship that Tallent simply got wrong. I can’t speak to this, but I did feel, occasionally, that Turtle would not have acted in certain ways or that she would have made different decisions. Destructive relationships are complicated, and it’s incredibly difficult to capture the psychological dynamics involved.

I’m listing so many caveats you might think I didn’t like the novel, but that’s not the case. Turtle is an unusual heroine, a real survivor, though not the kind her father envisioned. Gabriel Tallent is young – about thirty – and he chose to tell an extremely challenging story.  His writing will mature. He’s now working on a second novel.

Here are a few more excerpts from My Absolute Darling:

“‘You are the most beautiful thing,’ he says, ‘that’s what I think. Everything about you, kibble, is perfect. Every detail. You are the platonic ideal of yourself. Your every blemish, every scratch, is inimitable elaboration on your beauty and your wildness. You look like a naiad. You look like a girl raised by wolves. You know that?'”

********

“Walk away, Turtle. Just walk away from him, and if he follows after and if he will not let you go, you kill him. He’s given you everything and all you need to do is walk away. Do you remember when blood ran in your veins like cool, clear water? You could find that place again and it would be hard but it would be good. Nothing and no one can keep you away from it; only you can take yourself back into the dark, only you can do that. He can’t do it to you, and don’t lie about that. So walk away, Turtle. Think about your soul, and walk away.”

Who else has read this novel by a brand new American novelist, and what did you think? I’d love to hear from other readers.

Salvage the Bones

SalvagetheBones“I will tie the glass and stone with string, hang the shards above my bed, so that they will flash in the dark and tell the story of Katrina, the mother that swept into the Gulf and slaughtered. Her chariot was a storm so great and black the Greeks would say it was harnessed to dragons. She was the murderous mother who cut us to the bone but left us alive, left us naked and bewildered as wrinkled newborn babies, as blind puppies, as sun-starved newly hatched baby snakes. She left us a dark Gulf and salt burned land. She left us to learn to crawl. She left us to salvage. Katrina is the mother we will remember until the next mother with large, merciless hands, committed to blood, comes.”    Salvage the Bones, by Jesmyn Ward

Last week, as Hurricane Harvey had its way with Houston, I wrote about an excellent work of investigative journalism that came out of Hurricane Katrina: Sheri Fink’s Five Days at Memorial: Life and Death in a Storm Ravaged Hospital,

This week, as Hurricane Irma gathered strength, I finally got around to reading Jesmyn Ward’s fine novel about Hurricane Katrina, Salvage the Bones.

Jesmyn grew up with her family in rural Mississippi trailer parks. Her father had been a gang member; he eventually abandoned the family, but not before the pit bull he was raising attacked Jesmyn, sending her to the hospital.

In 2005, Jesmyn’s family survived Hurricane Katrina. They had to evacuate her grandmother’s house, wade through chest deep water, and wait out the storm in their cars as flood waters swirled around them. Jesmyn was moved to write a novel about the hurricane, in part, because people seemed to forget about Katrina’s devastation long before the land and the people were healed. As a writer, she also must have been compelled to translate this life-threatening and life-changing episode into art.

Salvage the Bones is about an African American family and their rural community of Bois Sauvage, Mississippi, where most of the residents are poor, much like the place where Jesmyn grew up. It’s written from the viewpoint of 15-year-old Esch, who has just discovered she is pregnant. She has three brothers and a hard-drinking father; one of her brothers is raising pit bulls for fighting. China, the pit bull mama, is just as much a character as the people in this novel, as well as a symbol of strength, power, and vengeance.

In the opening pages, I felt a stranger to this family, whose experiences and culture are so foreign to mine even though we live in the same country. By the end, I’d fallen in love with Esch and her family. I even had a grudging respect for China the pit bull, which says something about the power of Ward’s writing – I’ve always disliked and feared pit bulls. I couldn’t help but be awed by Jesmyn West’s fiction. Her writing is outstanding – fierce, evocative, and gritty.  Jesmyn has said that she strives for a “narrative ruthlessness.” Salvage won the National Book Award in 2011.

I plan to read Jesmyn’s memoir next. Men We Reaped is about the deaths of Jesmyn’s brother and four other young black men she knew due to car accidents, drugs, and suicide. And she’s just published another novel, Sing, Unburied, Sing.

You can listen to an interview with Jesmyn Ward on NPR at this link.

Have you read any books by Jesmyn Ward? What about the literature of natural disasters – any books to recommend?

Five Days at Memorial

 

“He would push 10 mg of morphine and 5 mg of the fast-acting sedative drug Versed and go up from there.”       –  Sheri Fink, Five Days at Memorial: Life and Death in a Storm-Ravaged Hospital

 

In light of Hurricane Harvey, I’m reposting this from four years ago. Five Days at Memorial is a fabulous work of investigative journalism about one hospital’s desperate decisions in the aftermath of Hurricane Katrina. Much was learned the hard way about emergency preparedness in health care settings during Katrina, which seems to be making a difference as Houston copes with Hurricane Harvey. But with more mega-storms likely in our future, this is something we should all care about. Click on the link below to read my previous post about Five Days at Memorial, a work of nonfiction that has won numerous awards.

Source: Five Days at Memorial

You Are Not a Gadget

YouAreNotaGadget“Humans are free. We can commit suicide for the benefit of a Singularity. We can engineer our genes to better support an imaginary hive mind. We can make culture and journalism into second-rate activities and spend centuries remixing the detritus of the 1960s and other eras from before individual creativity went out of fashion.

Or we can believe in ourselves. By chance, it might turn out we are real.”

***

“The words in this book are written for people, not computers. I want to say: You have to be somebody before you can share yourself.” You Are Not a Gadget, by Jaron Lanier

A few months ago, I found my way to futurist, virtual reality pioneer, and composer Jaron Lanier and his newest book, Who Owns the Future?  I was delighted to read the work of a prominent techie genius (Jaron works for Microsoft) calling for a humanistic information economy. I was so impressed with his message and vision, I sought out his first book, You Are Not a Gadget.

Who Owns the Future?I haven’t had a chance to synthesize my thoughts about You Are Not a Gadget. Before too much time goes by and I forget what I read, I wanted to at least post a few of my favorite quotes from the book, which inspired me as much as Who Owns the Future?

I’ve grown weary of social media and the sameness and superficiality of much of what I see online. I don’t know what to make of or how we can stop the fake news, misinformation, and vitriol that spread like wildfire on the internet and degrade our democracy and culture. You Are Not a Gadget was published in 2010 and does not address our current mess, but it is remarkably prescient. I hope that Lanier is writing at this very moment a third book to help save us from ourselves.

Here are some things Lanier has to say in You Are Not a Gadget:

“Web 2.0 designs strongly favor flatness in cultural expression. But I believe that flatness, as applied to human affairs, leads to blandness and meaninglessness.”

********

“If you want to know what’s really going on in a society or ideology, follow the money. If money is flowing to advertising instead of musicians, journalists, and artists, then a society is more concerned with manipulation than truth and beauty. If content is worthless, then people will start to become empty-headed and contentless.

“The combination of hive mind and advertising has resulted in a new kind of social contract. The basic idea of this contract is that authors, journalists, musicians, and artists are encouraged to treat the fruits of their intellects and imaginations as fragments to be given without pay to the hive mind. Reciprocity takes the form of self-promotion. Culture is to become precisely nothing but advertising.”

********

“Anonymous blog comments, vapid video pranks, and lightweight mashups may seem trivial and harmless, but as a whole, this widespread practice of fragmentary, impersonal communication has demeaned interpersonal interaction.

Communication is now often experienced as a superhuman phenomenon that towers above individuals. A new generation has come of age with a reduced expectation of what a person can be, and of who each person might become.”

I highly recommend Jaron Lanier’s books. They will get you thinking about where we seem to be heading and how we might take a more deliberate, ethical path to a humane culture that uses technology wisely while keeping it in its proper place.

 

Gone fishin’ (for books)

Summer

From Birds, Art, Life by Kyo Maclear

 

This time around, my post is mostly pictures from bookstore stops on our summer vacation in the Pacific Northwest.

The past few years, we’ve been more consciously immersing in nature in our travels, and I’ve been reading and writing about nature, too. Along the way, I’ve become fascinated by watercolor painting and nature journaling, though I can’t say I actually do much painting or journaling.

Very early on, I let a teacher convince me I had no talent for art, and so I’ve avoided these artistic pleasures and pursuits. I’ve since seen the light, and now I have all sorts of intentions and anticipations when it comes to making art. We’ll see.

In the meantime, my desires and my love for beautiful things are reflected in my bookstore adventures.

 

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Browsers Bookshop in Olympia has become a good friend, a favorite stop in my travels since I happened upon it last year. A warm, welcoming staff and an exceptional selection of books.

 

BrowsersZoology

Browsers Bookshop has many book categories and collections, sprinkled with staff picks. All in all, an outstanding selection of books, with many hidden gems, like the one I found below….

 

ATrailThroughLeaves

A Trail Through Leaves is extraordinary. Part memoir and part instruction in the daily act of keeping a nature journal, Hannah Hinchman’s writing and illustrations are outstanding. “The journal is a place to decant the stuff of life; reassuringly, none of it is wasted. It remains fresh, still tasting of its source. Transferring experience from the vat of life into the vessel of the journal is a distillation: it sieves, concentrates, and ferments. If after many seasons we develop some mastery of the process, the stuff can become as clear and fiery as brandy.”

 

Frogs

A page from Hannah Hinchman’s A Trail Through Leaves: The Journal as a Path to Place. “Everyone should learn to draw competently, with a sense of play and invention, if only to honor the fact that it’s one of the first instinctive gestures we make to appease the appetite for beauty. If everyone acknowledged that hunger, and gained a whole selection of ways to satisfy it, a different culture would emerge.”

 

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Personally recommended by Browsers Bookshop owner Andrea Griffith. What a meaningful gesture, to press a book into someone’s hands. “I never put up a barber pole or a sign or even gave my shop a name.” – Jayber Crow    My journey with Wendell Berry continues. Recently, I finished Hannah Coulter.

 

BookNBrush

In addition to an impressive book collection, Book ‘N’ Brush in Chehalis, Washington sells art supplies and art instruction books. It has a loft, too, where the public can attend art classes. Book ‘N’ Brush was recently named a must-visit, unique independent bookstore by The Culture Trip. 

 

BookNBrushWatercolor

I couldn’t decide…and I could have spent another hour or two in Book ‘N’ Brush.

 

BookNBrushChinese

Chinese brush painting display at Book ‘N’ Brush. These intriguing and beautifully made tools were so enticing I was tempted to try this specialty, and I was led to another hidden gem….

 

ChineseBrush.jpg

“Absorbing and calming, spiritual and steeped in history, the tradition offers something for everyone….Most satisfyingly, the pictures you paint will be in your own ‘handwriting,’ unique to you. ‘Writing a picture’ is the usual way of describing the painting process in China.”

 

ChineseMotifs.jpg

Each page contains simple instructions for making a flower, a fruit, a vegetable, an animal, an insect, a fish….Who knew with just a few strokes I could make a snail, a fuchsia, a chili pepper, a peacock, a relaxing woman, a couple in conversation….

 

BookNBrushStaffPicks

Plenty of staff recommendations at Book ‘N’ Brush too, the mark of a good bookstore. I spy a few familiar faces…

 

KyoMaclear

On my to-read shelf, an urban writer observes birds outside her window for a year: “The artist peered at me thoughtfully for a moment. Her blue eyes were clear and perfectly lined with kohl. Finally she spoke, with a hint of bemusement. She said the students who came to her were always full of hunger. They were seventeen-year-old aspiring artists and eighty-five-year-old retired businessmen. People of mourned, mislaid, or unmined creativity. Their yearning was like the white puff of a dandelion. All she had to do was blow gently and watch their creative spores lift, scatter, and take seed.”

 

KimStafford

We were in Portland, too. At the Woodstock Public Library I found a life-sized etching of a poem written by Kim Stafford. (Earlier this year, I took one of Kim’s online classes, Daily Writing in the Spirit of William Stafford.You have the power to open centuries that trees hold/silent in their rings. This palace of the possible needs you,/your hand on the door. Enchant this place awake.

 

Many thanks to Browers Bookshop and Book ‘N’ Brush for much browsing pleasure, for great books I wouldn’t have discovered anywhere else, and for giving so much to their communities. What would we do without independent bookstores?

Here’s one more quote by Hannah Hinchman, from A Trail Through Leaves; it occurs to me that I must have been not that far away from this scene as it happened – I was in college in Appalachian Ohio in 1976:

“The girls wore plain long dresses with a sort of blazer coat, equally plain. They led me to the barn with no concern for the mud. They showed me the milk vat, half full of milk. Startling to see a whole lake of milk like that, with cat tracks on the lid of the vessel. Such an austere cold and windy gray day, spitting pellets of snow. Arriving at this farm in the deepest of Ohio agricultural land, far from the mainstream of the world, and meeting these youngsters, plain as the winter landscape, but with faces like young peaches, smooth as fresh-shelled beans, like sprouts in winter.”  Hannah Hinchman’s journal, Volume 19, Ohio, 1976.

More about Hannah Hinchman here.

(Since I wrote this post, I found out Hannah Hinchman has another classic book, A Life in Hand: Creating the Illuminated Journal. It’s available as an e-book, but the print versions are now quite expensive. It would be great if a publisher would re-issue a print edition. Print books such as this one disappearing from the world are a loss.)

What are you reading this summer? If you’ve been traveling, where to, and have you found any bookstores to recommend?

To inspire your creative practice, soak up another’s

AtHomeinNature.jpg

“Those who have taken up homesteading – whether in the late nineteenth century, in midcentury, or in more recent periods – have all been acting out particular versions of larger experiments in American cultural dissent and spiritual creativity.”

 

I wake up early, not so usual for me, and when I raise the blinds it’s always sunny here on the dry side of the Columbia River Gorge in Washington.

I put on a thick woolen sweater with a Native American design in sepia and acorn hues, owned by the artist who lives and works here. I grab my cereal and juice, head outside, and eat my shredded wheat looking at Mt. Hood.

We just sold our home of 23 years, where we raised two sons. Wanting to get our minds off of what we left behind, we flew across the country to an artist’s studio and retreat in the Pacific Northwest. New terrain and evidence of an artist hard at work teaching, learning, sharing, and making are reviving my creative spirit.

These things inspire:

  • a weaver’s loom
  • artwork on all the walls, mostly nature based
  • marigolds drying in a basket
  • a display of cloth swatches dyed from goldenrod, Queen Anne’s lace, turmeric, eucalyptus, horsetail, walnut, and blackberries
  • a fragrant garden with mint, basil, tomatoes, squash and other goodies
  • a handmade bread oven
  • poppies everywhere in gold and fiery red
  • jars filled with mysterious things, such as dried flower petals and I don’t know what
  • thick, blush-pink pear slices put by in glass jars
  • a catalog of enticing classes like Wooden Spoon Carving, Flower Farm Dyes, Ikat Weaving, and Columbia Plateau Beadwork

 

ArtistRetreat.jpg

It’s chilly in the morning, often windy, always sunny.

 

Other people’s book collections take us down unforeseen paths, and sometimes the more off the beaten path, the better. There are many books to sample here. At the moment, I’m delving into At Home in Nature: Modern Homesteading and Spiritual Practice in America, by Rebecca Kneale Gould, learning about John Burroughs, Henry David Thoreau, Helen and Scott Nearing, and lesser known American homesteaders – an intriguing slice of American history. It’s perhaps more scholarly than I’d prefer, but I’m enjoying it.

Some other books that live here:

which “aesthetics” do you mean? ten definitions, by Leonard Koren

Coming to Stay: A Columbia River Journey, by Mary Dodds Schlick

A Dyer’s Garden: From Plant to Pot, Growing Dyes for Natural Fibers, by Rita Buchanan

Pacific Feast: A Cook’s Guide to West Coast Foraging and Cuisine, by Jennifer Hahn

Art of the Northern Tlingit, by Aldona Jonaitis

The Textiles of Guatemala, by Regis Bertrand and Danielle Magne

Native Arts of the Columbia River Plateau: The Doris Swayze Bounds Collection, edited by Susan E. Harless

In Zanesville, a novel by Jo Ann Beard (I loved her memoir, The Boys of My Youth.)

Red Brick, Black Mountain, White Clay: Reflections on Art, Family & Survival, by Christopher Benfey

Recommended by my son, which I packed in my suitcase:

The Third Plate: Field Notes on the Future of Food, by Dan Barber

Other books I brought with me:

The Golem and the Jinni, by Helene Wecker (book club reading)

The Artist’s Rule: Nurturing Your Creative Soul with Monastic Wisdom, by Christine Valters Paintner

No Experience Required! Watercolor, by Carol Cooper

I’ll likely read just a couple of these but it’s nice to be able to choose.

 

MtHood

View from the backyard. (I zoomed in on Mt. Hood.)

 

 

BreadOven.jpg

A homemade bread oven. At the moment, a burn ban prohibits its use.

 

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I think these sunflowers would be a relatively easy watercolor project for a beginner like me.

 

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Marigold blossoms drying

 

Climbing a small mountain is another way to get your mind off things. I have more stores of endurance than I thought and limbs that are plenty sore, but the climb gave me a sense of accomplishment.

 

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View of Mt. Hood from Little Huckleberry Mountain in Gifford Pinchot National Forest

 

We saw three of the Cascade mountains once we made it to the top…

 

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Mt. Adams

 

….which I could not have done without the encouragement of my husband.

 

MtStHelens

Mt. Rainier 

 

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Atop Little Huckleberry Mountain, on the ruins of an old fire lookout. Elevation: 4,781 feet.

 

An artist’s tools and artifacts. Books that belong to another. Climbing a small mountain. How do you feed your creative spirit? Can you recommend any books? Are you traveling this summer or working on a creative project?

This Life Is in Your Hands

ThisLifeIsInYourHands

“Food for Mama was equal to love, and, though she might withhold it when fasting, she usually meted it out to Papa and me straight from her heart. The preparing, cooking, and storing of food made up the pulse of her days. I’d wake in the mornings to the sound of Mama grinding grain. Clamped to the kitchen counter, that steel mill from Hatch’s was her magic tool, transforming inedible whole grains into vital ingredients as she stood beside it, hair pulled back, working the crank. The groats went in a funnel in the top, to be ground by opposing metal wheels attached to the crank, and depending on the setting, meal or flour streamed or puffed from the spout into a bowl.” This Life Is in Your Hands, by Melissa Coleman

Melissa Coleman’s parents were key figures in the back-to-the-land movement of the 1960s and 1970s, disciples and neighbors of Helen and Scott Nearing, who were activists and advocates of simple living. Scott Nearing wrote the classic Living the Good Life: How to Live Sanely and Simply in a Troubled World in 1954.

Coleman’s memoir, This Life Is in Your Hands, is about her childhood years with her two younger sisters on the Maine farmland her parents, Sue and Eliot Coleman, bought from the Nearings. It’s an ode to people in love with the land and a certain way of life; it’s also an elegy for a family and a time forever lost: when Melissa was seven, tragedy struck and her family splintered.

As I read the memoir, it dawned on me that I recognized the name Eliot Coleman, and that, in fact, I have one of his books, Four-Season Harvest, which I bought when I became interested in year-round gardening. From the standpoint of American history, This Life Is in Your Hands is a fascinating look at the back-to-the-land movement. Regarded suspiciously as radical hippies by many in mainstream America, the Colemans and others like them pioneered an important movement flourishing on new fronts today.

Eliot Coleman criticized the ravages wrought by industrialized farming. He advocated small-scale, biological farming, which emphasizes high quality soil that eliminates the need for pesticides, and a return to ancient farming practices. When Melissa Coleman was a young child, Eliot went on research forays to Europe, where he observed French farmers cultivating gardens all year round. He began to import their age-old farming wisdom to America and has been influential in the organic farming movement ever since.

There is much to admire in This Life Is in Your Hands as a memoir, and there are limitations, too. Melissa Coleman’s writing is uneven, and her storytelling skills fall short in some readers eyes. But at her best she is exquisitely poetic about daily life on their plot of land.

“The cookstove was our most important possession, without which we would either starve or freeze to death. To my young imagination it looked like a black animal with four stout legs under a square body, a flat top with lids that opened to the fire, and one long tail of a chimney that curved through the wall to puff smoke outside. It had three mouths, a small one to make little fires for cooking, a bigger one for overnight fires, and the biggest of all for the oven, with white enamel around a temperature dial ranging from “cool” to “very hot” and the brand name, “Kalamazoo.” When the bread was done, Mama opened the oven door and the loaves came out golden brown and steaming, to be placed on the counter to cool.”

Of course, Melissa must also tell how this edenic existence fell apart. The lifestyle entailed constant, backbreaking work, and the Colemans did not have electricity or indoor plumbing. The children were allowed to run free on the farm, and the constant work meant they weren’t attended to closely, which contributed to a tragedy: the accidental death of Melissa’s sister.

Coleman’s portrayal of her parents, Sue and Eliot, is mostly compassionate, but confusing, to me. From the beginning it’s drummed into us that Sue didn’t have the inner confidence and drive of her husband, Eliot. We’re told he was extraordinary, while Sue is depicted as lacking, and some of this judgement seems unfair to Sue. Understandably, Melissa suffered greatly when Sue fell apart and abandoned her role as a mother after the tragedy. But for a long time their farm and family flourished thanks to Sue’s efforts, not just Eliot’s. She gardened, cooked, cleaned, preserved food, hauled water, and gave birth to two of her children at home–one of those times she was home alone.

Sue suffered from bouts of depression and postpartum depression, but she was caring for three young children while adhering to superhuman lifestyle standards and married to an impossibly driven man. At one point, before the tragedy, Eliot procured a rental car and told Sue to leave with the children, that the marriage was over. It’s not clear to me why this was warranted–Sue’s worst sin seems to be what some might call neediness–unless Melissa left information out to protect her mother. I found Eliot’s actions harsh. The situation hints at sexism and unrecognized mental illness. Despite the sexual revolution and women’s lib, there were plenty of sexist marriages in the 1960s and 1970s. Like any young mother in her situation, Sue needed more support, although as readers, we may not know the whole story.

The Nearings apparently remained somewhat aloof after the tragedy. Helen Nearing, in fact, had not been pleased when Sue became pregnant the first time, telling her she should have waited because it was unrealistic to take on both motherhood and the farm.

The author’s conclusions about the meaning and fallout from her family’s grand experiment and tragedy struck me as pat. But telling the whole, accurate truth in these fraught family stories, from the point of view of the child and then as an adult with hindsight, is difficult. Memoir has pitfalls, but I think this one is an important and intriguing story on many levels.

Eliot and his third wife, Barbara Damrosch, currently own and operate Four Season Farm in Harborside, Maine, on the site of the original farm Melissa wrote about in her memoir. Today, many small organic farmers are flourishing in central Maine, some owned by apprentices who worked for the Nearings and the Colemans.

“Our staple was a yeast-free flatbread called a chapati, which Mama learned to make from David Hatch, who learned in India. Mama let me help mix the flour from the grain mill with water and salt to make a pliable dough, then kneaded it to bring out the gluten and let it set for an hour before making round gold balls of dough that she flattened with a rolling pin into thin, but not too thin, pancakes. She prepared the cookstove ahead so there was a bed of red hot coals in the firebox, and heated a greaseless twelve-by-sixteen-inch cast-iron skillet to sear both sides of the chapati and trap the steam inside. The chapati was then placed on a bent clothes hanger over hot coals inside the firebox, where it would blow up into a steamy balloon. Once it was removed from the flame, the air in the middle was released and the balloon flattened to form a perfect tortilla-like vehicle, warm or cold, for whatever you chose to put on or inside it.”

Here is a short video about Helen and Scott Nearing; Eliot Coleman appears in the opening:

http://external.bangordailynews.com/projects/2014/04/goodlife/?chapter=root&utm_source=bangordailynews&utm_campaign=refer

Have you read This Life Is in Your Hands or other books about sustainable living?

 

Who Owns the Future?

Who Owns the Future?.jpg“If technologists are creating their own ultramodern religion, and it is one in which people are told to wait politely as their very souls are made obsolete, we might expect further and worsening tensions….People must not be gradually equated with machines if we are to engineer a world that is good for people. We must not allow technological change to be driven by a philosophy in which people aren’t held to be special.” Who Owns the Future? by Jaron Lanier

I’m glad I found my way to this book and Jaron Lanier. Although Who Owns the Future? was at times frustrating, perplexing (and even annoying), Lanier’s message is an important one. If you care about where the human race is heading in light of the highly disruptive information revolution that is only speeding up, I encourage you to become familiar with Lanier’s views and think about the issues he raises.

A computer scientist who pioneered virtual reality and a co-founder of start-ups now part of Oracle, Adobe, and Google, Lanier currently works at Microsoft Research on top-secret projects. In Who Owns the Future? he hints at a project involving the manipulation of fault lines in the earth to prevent quakes. Big stuff like that. Lanier is a musician and composer too, and his music has been performed all over the world.

Lanier proposes that we work toward “a humanistic information economy that rewards ordinary people for what they do and share on the web.” (Italics are mine.) If you follow my blog, you know I’ve been reading Wendell Berry, who writes about the displacement of farmers, small business owners and families in rural America by industrial-scale farming. Massive displacement of much broader swaths of society by technology is coming if we don’t make adjustments, and this is what Lanier is concerned about. I see Berry, who is in his 80s, and Lanier, a Gen X’er, as kindred spirits sounding the alarm about our cold, competitive, mechanistic society and its degradation of the human spirit.

Lanier does not think “Luddite” is a derogatory term. He believes the Luddites were onto something.

Technology has made it increasingly difficult to earn a living in music, photography, publishing, and journalism. Lanier warns that this could eventually be the case in manufacturing, medicine (robots performing surgery and caring for the elderly are two examples) and other mainstream fields. He predicts the middle class will continue to hollow out, with money and power concentrating among “Siren Servers” such as Facebook and Google, financial and insurance companies, national security agencies, and other powerful corporations that gather vast amounts of data for free and profit enormously by it. If the middle class implodes, so will the Siren Servers and everything else.

“A Siren Server…is an elite computer, or coordinated collection of computers, on a network. It is characterized by narcissism, hyperamplified risk aversion, and extreme information asymmetry. It is the winner of an all-or-nothing contest, and it inflicts smaller all-or-nothing contests on those who interact with it.

Siren Servers gather data from the network, often without having to pay for it. The data is analyzed using the most powerful available computers, run by the very best available technical people. The results of the analysis are kept secret, but are used to manipulate the rest of the world to advantage.

The plan will always eventually backfire, because the rest of the world cannot indefinitely absorb the increased risk, cost, and waste dispersed by a Siren Server.”

Lanier gives an example that is close to home. As Kodak, headquartered in my city, downsized nearly its entire workforce of 140,000 employees, Instagram arose, a social media giant where amateur and professional photographers post their photos for free. I love Instagram; I post photos there often. At the time of its founding, Instagram employed thirteen people.

A few other personal examples: 1. I have a loved one in photography. He and his colleagues are finding it increasingly difficult to earn a living. 2. My brother was laid off from his city’s newspaper as it hemorrhaged journalists and printing staff. 3. The house and shop where I grew up became worthless nearly overnight because of the mortgage crisis in 2008; Lanier says the housing crisis came about, in part, because of high-speed, networked financial transactions.

To make a long, complicated book short, Lanier believes people should be paid micro-royalties for the information they give away for free on the internet. It wouldn’t be difficult to make this possible from a technology standpoint, and Lanier delves into the accounting aspects, too, which I skimmed over. These micro-payments could be a viable way for people to earn a living, as they are reimbursed for the value they now provide for free. I can’t help but think of Henrietta Lacks, who was never given a cent for her “immortal” cells; they have been replicated around the world and have contributed enormously to medical research.

Lanier admits that, like many other Silicon Valley techies, he bought into the utopian vision of how wonderful it would be when information flowed freely to everyone on the Internet. Years ago, I drank the Kool-Aid, too, though grudgingly, because I’d made a living at writing. I have not been overjoyed to see writers go unpaid. Lanier contends that the rewards we get–such as free services like Facebook and WordPress for blogs such as this one–are not, ultimately, enough remuneration for what we’re contributing. Universal health insurance and other social fixes, if they ever come about, will not be enough.

Many disagree with Lanier, but my gut tells me he’s right. I find his message liberating. If, for example, I publish a quality memoir, I don’t want to give it away for 99 cents, or for free. I really don’t.

If I choose to have my DNA analyzed, what will be done with this unique, precious, and sensitive data now owned by some company?

I don’t want to spend hours in front of a screen, either, as so many of us do now, while Amazon and Facebook grow rich from the data we give away. This is no way to live. For a variety of reasons, I find myself trying to cut back on screen time; I’d rather be hiking or gardening or otherwise living my life out in the world.

“When enough people lack economic dignity, there’s no way for the economy overall to function well. ….Some decades from now all those idealistic people who contributed to open software or Wikipedia will be in the same position as today’s aging jazz musicians….In a humanistic information economy, as people age, they will collect royalties on value they brought into the world when they were younger. This seems to me a highly moral use of information technology. It remembers the right data. The very idea that our world is construed in such a way that the lifetime contributions of hardworking, creative people can be forgotten, that they can be sent perpetually back to the starting gate, is a deep injustice.

Putting it that way makes the complaint sound leftist. But today there’s also an erasure of what should be legitimate capital. The right should be just as outraged. The proposal here is not redistributionist or socialist. Royalties based on creative contributions from a whole lifetime would always be flowing freshly. It would be wealth earned, not entitlement.”

In Who Owns the Future? Lanier sometimes used terms and references new to me. Techies and younger folks will probably have an easier time, and there is a glossary that’s helpful. Lanier’s style and syntax are different, too, but I persisted, because I’m intrigued by how we might work toward a future that is ethical, human-centered, and filled with meaning. What I found dispiriting was his statements about baby boomers. If Lanier’s vision comes to fruition, he predicts it will not be until we have come and gone. That may be true, but the way he expresses this seems insensitive to his boomer readers. I hope to engage online for many years; Lanier implies this will be a largely unremunerated one-way street for my generation.

Lanier devotes a short section to the future of books, too. He offers a mixed outlook, but I’m encouraged by his conclusion. I won’t give it away here.

“My hope for the future is that it will be more radically wonderful, and unendingly so, than we can now imagine, but also that it will unfold in a lucid enough way that people can learn lessons and be willful. Our story should unfold unbroken by perceived singularities or other breaches of continuity. Whatever it is people will become as technology gets very good, they will still be people if these simple qualities hold.”

Do you agree with Jaron Lanier?

 

 

The Handmaid’s Tale. Read it now.

Handmaid's Tale

“I avoid looking down at my body, not so much because it’s shameful or immodest but because I don’t want to see it. I don’t want to look at something that determines me so completely.”  – The Handmaid’s Tale by Margaret Atwood

I belong to an amazing book club of ten women, and we just finished reading and discussing The Handmaid’s Tale by Margaret Atwood. It was my first exposure to this iconic dystopian novel about the theocratic Republic of Gilead (formerly the United States), where fertile women have been enslaved for purposes of reproduction due to dramatically declining birth rates.

Atwood has said that every aspect of extreme female oppression depicted in the novel has actually happened. The ghosts of New England puritanism and witch hunts haunt The Handmaid’s Tale: the novel takes place in Cambridge near a university (Harvard) that has been shut down. There are also strains of American slavery, the Bible, and the Third Reich, among other periods.

NOW is the perfect time to read The Handmaid’s Tale if you haven’t already. It has been getting a lot of attention because of the new Hulu series starring Elizabeth Moss and, of course, because of the unsettling political era unfolding in the U.S. As Emily Nussbaum in The New Yorker put it, “Our President is a Playboy-brash predator; his Vice-President is pure Gilead.”

I decided to simultaneously watch the unfolding Hulu series, which added interesting contrasts and depths to my reading and viewing experiences.

I quote Emily Nussbaum below because I think our book club would agree that reading Handmaid inspired us to reflect on how it was for women in the Reagan era when the book was published. (We range in age from 40s to 60s.) I was thirty when The Handmaid’s Tale came out in 1985. I’d just moved out of New York City, where I’d watched the Trump Tower go up on Fifth Avenue directly across the street from my office. In fact, the book publisher I worked for moved to a humbler downtown neighborhood once Trump’s golden tower was in place and the rent became unaffordable.

“…for many readers of my generation, “The Handmaid’s Tale” is also a time machine back to the Reagan era, a mightily perverse period for sexual politics. Just a decade earlier, a woman could be denied a credit card without a man to co-sign, and yet, by 1985, when the novel was written, the media was declaring that feminism was over, dunzo, defunct—no longer necessary, now that women wore sneakers to jobs at law firms. At the same time, sexual danger was a national obsession, seen from two opposing angles, each claiming to protect women. On the right, there was the anti-abortion New Christian Right—led by figures like Phyllis Schlafly and the televangelist Tammy Faye Bakker—intent on restoring traditional marriage. On the left, there was the anti-porn movement….It was a peculiar era in which to be a teen-age girl, equally prudish and decadent: the era of Trump Tower and cocaine, AIDS and “Just Say No.” Emily Nussbaum, The New Yorker

While I read and watched The Handmaid’s Tale, I’d been working on a scene in my memoir that takes place in New York City in 1978.  I’d been trying to remember how I’d seen myself in the context of the times at twenty-three, but my memories were delivering up a great deal of ambivalence and little clarity. I knew I’d felt grateful for the second-wave feminists and the 1960s cultural pioneers and that I’d thought that women’s liberation had done its work. Yet carving out a career wasn’t proving to be easy; mostly I’d blamed myself for that. Reading Nussbaum’s essay helped me flesh out my scene and my thoughts by reminding me that the late seventies already heralded a backlash: Phyllis Schafly and Ronald Reagan were just around the corner.

Atwood’s book, of course, shows us that history can move in cycles. Freedoms won can be lost.

Nussbaum points out in her essay that the Hulu show has to keep going season after season, while the novel is a self-contained work. Because of this, the spirit of the TV show eventually departs from the claustrophobic bleakness of the book. Offred’s quest on television becomes escape and reunification with her daughter and lover. (Offred is a handmaid forced to have sex with her married Commander; should she become pregnant, the baby will be turned over to the Commander and his barren wife.) The TV series becomes more like a thriller, while in the book there seem to be few ways the women can work toward liberation. The TV show is more hopeful, but be warned that it is graphic and violent. I think both the book and the series are excellent, but I don’t know how long I will watch the series. Season after season, a series can lose power and focus. It could eventually pale next to Atwood’s book, which reads like a bomb going off.

Have you read The Handmaid’s Tale or are you watching the Hulu series? What do you think?

AtwoodAutograph

“How easy it is to invent a humanity, for anyone.”

 

(On the heels of The Handmaid’s Tale, I happened to find out about a new documentary series on Netflix, “The Keepers.” My husband and I watched all seven episodes in two nights.“The Keepers” depicts a real-life dystopia for young women who attended a Catholic school in Baltimore beginning in the 1960s, the life-long ramifications of untold secrets, and the confounding process of recovering memories. Well-crafted documentaries remind me how truth can be stranger than fiction. It’s got me thinking about how story and dramatization, no matter what the medium or genre, can so powerfully reveal truths about the human spirit. It’s not easy to depict such depth of character in documentary. I’m still thinking about the good women–and the handful of good men–in “The Keepers.”)

 

The Monarch: Saving Our Most-Loved Butterfly

The Monarch

“Never doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it is the only thing that ever has.”   Margaret Mead

 

“The tag on that little butterfly sent me off on a journey of my own – one that would over and over again astound me at the miracle of it, the wonder of nature, the tenacity of living things. Over the next ten years I would continue to add to my knowledge and experience about something that had been going on for centuries, with a part of it still taking place right in my own backyard.”  The Monarch: Saving Our Most-Loved Butterfly, by Kylee Baumle

 

I had no idea monarch butterflies were so fascinating. I didn’t know there are such things as Certified Monarch Waystations and that I could easily create one myself, or that I could monitor monarch butterflies as a citizen scientist. I didn’t know there was a Beautiful Monarch Facebook group with 11,000 members. (As of this writing, I’m one of their newest.)

My favorite nature and gardening publisher, St. Lynn’s Press, kindly sent me a review copy of their new book, The Monarch: Saving Our Most-Loved Butterfly, by Kylee Baumle. I thought this would be the perfect time to feature it on Books Can Save a Life in honor of the People’s Climate March this weekend in cities around the world.

Kylee Baumle – a citizen scientist, lifelong gardener, blogger (Our Little Acre), and columnist for Ohio Gardener magazine – has written a beautiful book about the monarch butterfly, its perils, and what we can do to help make sure this magnificent creature is still here generations from now.

The author begins by telling a personal story about a monarch encounter that involves miraculous detective work and speaks volumes about her passion for this threatened creature. She follows up with fascinating chapters about monarch biology that focus on the miracles of its five-stages of development and nearly unbelievable cross-country migration.

“The monarch’s migration is extraordinary; there is none like it in the butterfly world. Think of it: A butterfly born in Canada or the U.S. begins an epic journey of up to 2900 miles south to a place they’ve never been before – a very specific place, where their great-great-grandparents went the year before, but never the other generations between them.”

(Baumle tells us that the winter location of the migrating monarchs was unknown until 1975. Now we know they overwinter in the oyamel fir forests of the Transvolcanic Belt mountains in central Mexico. This location was first shared with the world in the August 1976 issue of National Geographic. Read more about the discovery here.)

 

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“The final generation of monarchs in late summer and early fall are called the Methuselah generation. Why Methuselah? The name is borrowed from the Bible, in which Methuselah was said to have lived for 969 years, much longer than his contemporaries. Migrating monarchs live five to eight times as long as their parents and grandparents.”

 

You don’t have to be an expert gardener – or a gardener at all – to enjoy The Monarch and find inspiration to become involved in its preservation. Baumle has carefully and thoroughly presented the most up-to-date research about the monarch, and she’s included a range of easy, fun activities that will appeal to all ages. This is an excellent book for the lay person as well as for teachers and students, young and not-so-young.

 

 

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Here are some things you can do to honor and help save the monarch butterfly: 1. Become a Citizen Scientist (8 programs are listed in this book.) 2. Create a Monarch Waystation with milkweed and other plants to attract and nourish monarchs. 3. Make a butterfly watering station. 4. Raise a monarch in your home. 5. Tag a migrating monarch. 6. Get a grant to plant a school garden. Several grant sponsors are listed in this book.

 

I admire St. Lynn’s Press for publishing books that encourage us to savor and preserve the natural world. They have an impressive backlist of gardening and nature titles, and they’ve done it again with The Monarch: Saving Our Most-Loved Butterfly. Kylee Baumle’s love for the monarch and enthusiasm for spreading the word is contagious.

 

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” A group of butterflies goes by several names. ‘Kaleidoscope’ is my favorite, but others have used the terms ‘swarm’ and ‘rabble.’ Take your pick.”

 

 

 

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“Where have all the butterflies gone? It’s a question I hear being asked quite a bit these days.”

 

For more about Danaus Plexippus (the monarch butterfly) and how you can get involved, here are excellent websites listed in The Monarch:

Make Way for Monarchs

Journey North: A Global Study of Wildlife Migration and Seasonal Change

Monarch Joint Venture

Monarch Watch

Monarch Butterfly Garden

Monarch Lab

Xerces Society

 

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“There aren’t many such widespread issues whose directions can be changed by ordinary people like you and me, or in which people truly believe that anything they do will have any measurable effect. But reversing the decline in the number of monarchs is one where we really can make a difference.”

 

Flight BehaviorIf you would like to read a great work of eco-fiction about the migration of butterflies, follow up your reading of The Monarch with Barbara Kingsolver’s Flight Behavior. I wrote about it on my blog a few years ago.

“No one is an environmentalist by birth. It is only your path, your life, your travels that awaken you.”  Yann Arthur Bertrand, photographer and creator of the book Earth from Above and the film Home.

If you plan to participate in one of the climate marches this weekend, happy marching!

 

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