Returning to ourselves

Spirit Rock gate
Spirit Rock Meditation Center, 2010

Nine of us were about to begin our first small-group meeting at Spirit Rock Meditation Center, where I was on a silent retreat. The meetings gave our teachers a chance to check in on our well-being and meditation practice. Did we have any questions? Were we facing any challenges?

Six young to middle-aged men sat across from me. My son, who works in tech, said meditation was gaining popularity in his field, and I guessed several of the men in my group worked in tech. Most of them were new to meditation and had never attended a silent retreat.

When I last went to Spirit Rock over a dozen years ago, there were far more women than men, but now only two other women my age were in our small group.

This will be interesting, I thought.

L was a teddy bear of a man with a presence that filled the room. His words tumbled out on top of each other, peppered with comic, self-deprecating asides: “I’ve never been diagnosed, but no question I have ADD. I constantly monitor six screens in my office. At home, I’ve got more screens, plus my smartphone and the TV remote, and I work them all while my kids and I watch football. Multitasking is my default setting, and my friend and work pal sitting here next to me wanted me to try meditation. I don’t know about all this silence and sitting, but I guess I’ll see what happens…”

***

Two days later, we met for our second small-group session.

L had had enough.

“I can’t sit for one more minute. I’m bored out of my mind. This isn’t for me. I’m leaving, except I can’t because I came with my friend, and he’s driving…”

“Boredom is a good sign,” Howie, our teacher, interrupted. “Meditation can be a purity practice, and as discomfort arises, you practice sitting with it…”

“That doesn’t work for me. I know when I’ve reached my limit. I’m not cut out for this. We can move on to the next person; they can take my turn to speak because I have nothing…”

Howie leaned forward, visibly annoyed. “Look at me, L. Stop talking and look at me.” Howie was not going to let L deflect.

“You don’t even know how much you’re suffering. You think you do, but you have no idea.”

L was silent, and the rest of us were, too. J, a young man with whom I seemed to share a vibe and whom I fancied would be a great partner for my son (see my previous post), caught my eye, as if to say, are you catching this drama, too?

“You need to stay here,” Howie said. “You need to sit with this. Because if you don’t face this now, when will you ever? Is this how you want to spend your life, going from screen to screen? Is this how you want to be with your family? Years will go by, and you’ll have spent your life everywhere but in the present moment.”

L listened, taking in Howie’s words.

We sat with L in his vulnerability; I hoped he felt our goodwill surrounding him. After all, when you get right down to it, weren’t we all in the same boat? Weren’t we all constantly moving from screen to screen and distraction to distraction, distanced from ourselves, our loved ones, and the unprecedented challenges urgently demanding our attention?

***

The evening before the last day of the retreat, L happened to sit next to me at dinner. We ate in silence for a while, and then I turned to him. “Do you mind if I say something?”

“Not at all.”

“You’re still here. I’ve been watching, and you’re still here.” I smiled. “Would you come back to Spirit Rock?”

L didn’t hesitate. “100 percent. 100 percent, I’d come here again.”

Truly, I was amazed. L seemed to be in a very different place.

“I’m so glad you stayed. Maybe someday you’ll teach meditation.”

“Me?” L looked surprised, doubtful.

“You’d be good at it. You’ll really know what you’re talking about.”

“My friend and I went hiking yesterday,” L said, “and we were discussing you.”

Now it was my turn to be surprised. (I figured he already knew he wasn’t supposed to be hiking and talking with a friend on a silent retreat, and I decided not to tease him about that.)

“We both think you have no reason to feel low self-esteem. You literally exude happiness and joy.”

I hadn’t expected these kind, sweet words. I’d told the group that my low self-esteem issues had been showing up, especially when I worked on revising my memoir.

“Thank you for telling me that.” I almost said that happiness and joy certainly weren’t my default state; like everyone else, I often had to work at it. But, of course, L already knew that, too.

L reached out and shook my hand. “I’ll say goodbye now because we have to leave tonight.”

“Maybe we’ll meet again someday on the path,” I said.

L stood up, dishes in hand. “These vegetarian meals are great, but I hope the next time I’m here they’ll have seen the light and started serving dessert.”

***

I wasn’t sure if I should write about L, but I don’t think he would mind. This past month since the retreat, I’ve remembered him from time to time, somewhere in Pittsburgh, perhaps with fewer screens in his life. I’ve imagined J at work in Manhattan, and the others I met at Spirit Rock going about their day-to-day lives.

Now and then, I send a meditation their way from North Carolina: May you be filled with loving-kindness. May you be safe and protected. May you be well in body and mind. May you be happy.

***

How to Focus by Thich Nhat Hanh fits in the palm of your hand. You can keep it nearby while meditating and read a page or two. I adore this little book. Below are two passages from it.

“Conscious breathing is a marvelous way to return to ourselves. When we are aware of our breath, we come back to ourselves as quick as a flash of lightning. Like a child who returns home after a long journey, we feel the warmth of our hearth, and we find ourselves again. To come back to ourselves like that is already a remarkable success on the path of mindfulness, concentration, and insight.”

“The day your mother passes away, you suffer. If someone sits close to you and shows concern, you feel some relief. This is the world of waves. It is characterized by birth and death, ups and downs, being and nonbeing. A wave has a beginning and an end, but we cannot ascribe these characteristics to water. In the world of water, there is no birth or death, no being or nonbeing, no beginning or end. When we touch the water, we touch reality in its ultimate dimension and are liberated from all these concepts. If you know how to touch your mother in the ultimate dimension, she will always be with you; you can see that she is there in you, smiling. This is a deep practice and it is also the deepest kind of relief.”

Photo: Cannon Beach, Oregon

I feel hope coming

Walking to the meditation hall at Spirit Rock.

I don’t want your martial law, I want clean air.

I don’t want no enemies that ain’t even there.

– “I Feel Hope Coming,” Alabama Shakes

Attending a silent retreat at Spirit Rock Meditation Center in California. Remembering 9/11. Marking the passing of poet, novelist, and essayist Wendell Berry. A lot of life happened in the space of a dozen September days.

When I was living in New York City and working in book publishing, I’d take out-of-town guests to see the World Trade Center and my favorite view of the five boroughs. We’d gaze at the city from the observation deck or, if the wind was calm, from the rooftop. I never tired of the dizzying height or the panorama. I’d imagine my maternal and paternal grandparents from Sweden and Sicily, sailing into New York Harbor past the Statue of Liberty along with thousands of other immigrants.

By the time 9/11 happened, I was living upstate and raising a family. My husband and I limited our TV viewing of the tragedy because our sons were so young. In the years after, I never took the time to look back at that day.

But this September 11, on the 25th anniversary, I did. Social media, which I usually avoid, streamed dozens of interviews with survivors and the families of those killed, telling their unbelievable stories. After the Spirit Rock retreat, my heart was wide open, and I listened to those touched by 9/11. They had looked deeply at life and had made it their work to share their joys, sorrows, and hard-won wisdom.

A silent retreat can open your heart that way.

Days of silence and hours of meditation might seem like an impossible feat, but the routine of a silent retreat changes on the hour, with a beautiful rotation of sitting and walking meditations, a daily work assignment, teachings, Q & A sessions, and small-group meetings with the teachers. Each day begins at 5:30 am with a wake-up bell and ends at 9:30 pm, often with music. There are, of course, no smartphones or other devices. You find yourself rising to the occasion in surprising ways. The expansive silence holds every possibility.

“Spiritual practice can be as simple as a breath.” Brad Stuhlberg, The Way of Excellence: A Guide to Deep Satisfaction and True Greatness in a Chaotic World.

Nearly twenty years ago, Jack Kornfield and his book, The Wise Heart: A Guide to the Universal Teachings of Buddhist Psychology, enticed me to follow the insight, or vipassana, meditation path. When I pulled the book off my shelf the other day, I noticed that one chapter had an abundance of notes and underlinings: The Storytelling Mind, something many of us find ourselves working with on retreat.

We tell ourselves stories of varying accuracy as we strive to make meaning in our lives. This is normal and natural, but sometimes we forget that these stories are shaped by our personal filters and idiosyncratic interpretations. As we grow more discerning, we learn to revise or abandon a particular story that may not accurately reflect reality.

For example, on the retreat, I felt a particular kinship with J, a young man in my small practice group. I began to imagine that he could be the perfect partner for my son, who had just gone through a breakup. A fantasy, I realized, which I tried to hold lightly with a measure of humor. My maternal instinct (I’ve raised two sons and have two younger brothers) must have been working overtime.

One morning, I skipped meditation and walked instead. Over the Marin Hills, shafts of sunlight parted the fog like curtains opening to the light. As if someone were standing next to me and whispering in my ear, I heard a message that seemed to brilliantly capture the essence of a piece of writing I’d been struggling with. I knew I would be able to move forward in the writing with greater confidence and clarity.

On day 4 of the retreat, I went with anticipation to the afternoon talk because we’d been encouraged not to miss it. Before I knew it, Jack Kornfield was walking up to the dais. One of the most venerable teachers of insight meditation in America today, and the author of some of the most life-changing books I’ve ever read, gave us a beautiful teaching and led us in a lovingkindness meditation. I don’t have the words to describe the great kindness and wisdom with which Jack spoke to us that day.

We train our hearts to hold the 10,000 joys and 10,000 sorrows. This is not easy. But we learn to hold it all, even amid the chaos. And we sweep our gardens. We do the work the world asks of us. – Jack Kornfield

“The mind creates the abyss; the heart crosses it.” – Nisargadatta, Indian sage

“The thinking mind constructs views of right and wrong, good and bad, self and other. These are the abyss. When we let thoughts come and go without clinging, we can use thought, but we rest in the heart. There is an innocence to the heart. We are the child of the spirit. And there is an innate wisdom. We are the ancient one. Resting in the heart, we become trusting and courageous, and our patience grows. We do not have to think things through. Life is unfolding around us.” – Jack Kornfield, The Wise Heart

Prayer wheel at Spirit Rock.

May all beings be filled with loving kindness.

It is amazing how close you feel to people after sitting with them in silence for five days.

By the way, Spirit Rock offers scholarships.

***

Wendell Berry passed away on August 31. In 2017, I wrote about his novel, Hannah Coulter, and a collection of his essays, Our Only World, on Books Can Save a Life. I’m struck by the excerpts of Berry’s work that I included in the posts – this is extraordinary writing, folks. And I’d forgotten about all the heartfelt comments left by my blog readers.

The novel Jayber Crow and the essay collections Citizenship Papers, The World-Ending Fire, and The Art of the Commonplace wait on my to-be-read bookshelf, and I’ve moved them up in the queue.

Below is a 7-minute meditation on the passing of Wendell Berry by Dale Biron. Dale’s stunning rendering of “The Peace of Wild Things” captures Berry’s iconic poem with nuance and tenderness. Each word, each pause, is given its due. Please listen!

***

A friend told me about this beautiful song that speaks especially to our times.

***

water lily
No mud, no lotus. – Thich Nhat Hanh
Remembering our beloved water garden, upstate New York, 2012.

We train our hearts to hold the 10,000 joys and 10,000 sorrows. This is not easy. But we learn to hold it all, even amid the chaos. And we sweep our gardens. We do the work the world asks of us. – Jack Kornfield

Midwinter Light

A highlight of the Winter Solstice Lantern Walk along the Eno River, NC, 2025.

The fear is ancient and uncomplicated, part of our human-animal inheritance…will the darkness swallow me, will it swallow us all together? Nina MacLaughlin, Winter Solstice: An Essay

Happy New Year to my friends and readers!

Here is a post full of little treasures to light up your midwinter days and usher in the New Year.

Never in my life have I seen the winter solstice celebrated with so much exuberance. Last year, on our first winter solstice in Hillsborough, North Carolina, I assumed the annual lantern walk along the Eno River would be a quiet affair with a few dozen souls. Not at all. Thousands of people showed up with the most inventive homemade lanterns I’d ever seen.

Before you read past this paragraph, PLEASE click the link below to last year’s walk. It will put you in the mood for the rest of this post, which is full of all things Winter Solstice. In last year’s video, you’ll see drone footage of the magical riverside procession, an illuminated spiral, and beyond-belief lanterns, with a poetic narration by our town’s very own Poet Laureate, Amal Kassir. (YES, our town has a Poet Laureate. More about Amal at the end of this post.)

Here is the link. Please turn up your volume, enjoy, and then hop back over here:

https://www.facebook.com/share/p/1Bo8a6x7qc/

I’ve sprinkled quotes from Nina MacLaughlin’s earthy, primal Winter Solstice essay throughout this post, because it speaks deeply to writer and mixed-media/book artist Suzi Banks Baum, who created and leads Advent Dark Journal. This is an immersion in art, writing, nature, and daily creative practice that I enjoy during the last six weeks of the year.

I’ll write more about Advent Dark Journal in an upcoming post, because Suzi and her creation are worth an in-depth look. For now, here is a glimpse of the small collage and art projects I’ve completed as part of this experience. You’ll see that my Advent calendar has a religious theme, but Advent Dark Journal is not centered around organized religion; rather, it is a “container” of rituals for participants to explore wherever our soulful arisings lead us during this sacred time of year.

These small, collaged journals and art pieces were sent off to friends – one in Australia – as soon as I completed them. In addition to the art we create in Advent Dark Journal, Suzi encourages us in new, transformational directions. Since I’ve become a regular in Suzi’s workshop, I’ve added a tradition our adult sons and partner enjoy when they visit for the holidays – a fireside Winter Solstice ritual. More about that in an upcoming post, but suffice it to say, Suzi has shown me how to weave a daily creative practice into my life in ways that promote my well-being and that of others in my life.

It is the animal in us that knows the dark. This season stirs that animal in us, and stirs the memories that live in all of us, submerged so deep, of the ancient dark, of a time before gods, before form and words and light….Winter reminds us: the dark was first.

…maybe death is all potential, a means of moving on. And on we go, absorbed into the wet warm belly of eternity, or the roaring big black void, back here as a robin or a wren, in dusted orbit around another planet’s moon, riding on the light. Winter Solstice

Nina MacLaughlin’s Winter Solstice is stellar writing, moody and mysterious. She reminds us of our primal, animal origins; ultimately, we are bound up in the life web and rhythms of the earth, whether we recognize this or not. I purchased Nina’s Summer Solstice essay as well, which I’ll read come summer.

If you are interested in writing that is more traditional, something you can read in small bits alongside your daily journaling or meditation, I recommend Midwinter Light: Poems and Reflections for the Long Season by Marilyn McEntyre. Each day, she includes a poem with commentary that honors this dark season, when growth seems to stop but germinates unseen, to be manifested as the light returns.

“Winter makes us see differently. Noticing is rooted in desires so easily satisfied in spring we barely feel them—for color, for movement, for the sound of birds, and things that bloom. On a walk in midwinter, we experience solitude in a different key. We are surrounded by reminders of mortality and loss, by the absence of what is lush and vivid. We are clothed in layers and aware of our bodily needs in new ways. And the quiet, sometimes, is palpable. It is a good time for prayer: the veil between this dimension and the next seems to have thinned.” Marilyn McEntyre, Midwinter Light: Meditations for the Long Season

Finally, I discovered an excellent picture book with a poem by Susan Cooper and art by Carson Ellis. Both Susan and Carson have won the highest honors for children’s books, and this particular collaboration is special. Susan’s poem “The Shortest Day” is easy to find online. I encourage you to read it. I think you’ll find that Susan’s half-rhymes and cadence create an incantation that perfectly captures the magic and mystery of this dark season.

If you would like the perfect picture book for this time of year, for yourself, or as a gift, I suggest The Shortest Day, written by Newbery Medal winner Susan Cooper and illustrated by Caldecott Honor recipient Carson Ellis.

Happy New Year!

I will return in January with more about Advent Dark Journal, as well as commentary about a provocative documentary you won’t want to miss, especially if you are an avid reader and book-lover.

As Amal Kassir says in her winter solstice poem you may have listened to in the above-linked video, “It only gets brighter from here.”


By the way, PLEASE be sure to check out Amal Kassir’s website and watch her perform her heartbreaking poem, “Broken Arabic.” Her poetry collection, Scud Missile Blues, is available from Amazon. I encourage you to consider purchasing it. We need to support our young poets, and Amal is immensely talented. Just think of all the poems she has yet to give to the world!

Solstice whimsy

(Still) reading Barry Lopez

Stories…offer patterns of sound and association, of event and image. Suspended as listeners and readers in these patterns, we might reimagine our lives…As long as it took for me to see that a writer’s voice had to grow out of his own knowledge and desire, that it could not rise legitimately out of the privilege of race or gender or social rank, so did it take time to grasp the depth of cruelty inflicted upon all of us the moment voices are silenced, when for prejudicial reasons people are told their stories are not valuable, not useful.  – Barry Lopez

About This Life: Journeys on the Threshold of Memory, Barry Lopez

Here is my third and final reposting of my Barry Lopez Books Can Save a Life writings, in honor of his passing on December 25, 2020:

In the introduction to his essay collection About This Life: Journeys on the Threshold of Memory, Barry Lopez tells of meeting a man on a plane who asked what words of advice he could pass on to his teen-age daughter, who wanted to be a writer. This is what Lopez said:

She must read, and her choices should be whatever she is drawn to.

She should read the classics, too, but she’ll have to work harder to find stories of heroism, love, and our noblest values that are written by women.

Second, she must “become someone” and “speak to us from within those beliefs.”

Third, he advised that she “separate herself from the familiar.” After exploring other places and meeting a diversity of people, she`ll know why she loves the familiar and share this knowledge through her writing.

Early on, Lopez felt he was noticed, accepted, and rewarded as a writer in part because he was white, male, privileged and well educated. If you read his work, you’ll find he is keenly sensitive to the fact that many voices haven’t been heard because they are different or not within traditional circles of power. He thrives on traveling to the far corners of the earth and seeking these people out –  artists, artisans, farmers, naturalists, explorers who live close to the land, indigenous peoples, and others.

I was mesmerized by an essay in About This Life, “Effleurage: The Stroke of Fire.”  An Oregon potter and builder of a unique anagama kiln invites clay artists from around the world to fire their work. Jack doesn’t care about marketing or commercial success; he’s totally immersed in the process of making pottery out of materials from nature. Every three or four months, up to twenty artists bring their work to be fired in the Dragon Kiln.  Families, friends, even pets tag along. The firing goes around the clock for several days. Building the tremendous fire that heats the kiln is an art in and of itself. Different kinds of wood – black locust, maple, cherry, Lombardy poplar, red cedar – make different kinds of fires, and keeping the fire properly stoked is a community effort of like-minded artists who put aside their egos for the benefit of the group.

Lopez says you must become someone to write. I think he would agree the kiln designer and the clay artists are “becoming” through their life’s work, just as their clay pieces are forged in the fire. It’s a process that never ends. Even the clay pot continues to change, subtly, after the firing.

Crow and Weasel book cover

Over and over, Lopez celebrates journeys into the unknown, strangers who become friends, coming home again, and the writing of the story. You see this in About This Life and in his fable, Crow and Weasel.

Recently, Lopez published a revelatory personal essay that has received a lot of attention, “Sliver of Sky,”  in Harper’s Magazine, about a period of sexual abuse he endured as a child. That Lopez waited until his seventies to write about this suggests how deeply confounding and wounding it was. The trauma and years of silence may explain in part Lopez’s empathy and compassion for others who were silenced for one reason or another. And no doubt it has contributed to his sense of mission as a writer.

I’ve written about years of being silent and feeling silenced by others because of my mother’s mental illness. I think that is partly why I didn’t make the commitment to becoming a writer when I was younger. How can you mature as a human being and as a writer when you can’t work with the very material that is woven into your identity?

If we’re silenced, we’re blocked. We don’t become our fullest selves. Diminished in what we are able to offer the world, the world will be diminished, too. It is in our best interests to see that no one among us is silenced.

So I find reading Lopez to be a rare and important form of encouragement.

In an interview with Bill Moyers, Lopez says he’s viewed as a nature writer but, actually, he is writing about humanity.

“Every story is an act of trust between a writer and a reader; each story, in the end, is social. Whatever a writer sets down can harm or help the community of which he or she is a part.”

One Long River of Song

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“So much held in a heart in a lifetime. So much held in a heart in a day, an hour, a moment. We are utterly open with no one, in the end — not mother and father, not wife or husband, not lover, not child, not friend. We open windows to each but we live alone in the house of the heart. Perhaps we must. Perhaps we could not bear to be so naked, for fear of a constantly harrowed heart…..You can brick up your heart as stout and tight and hard and cold and impregnable as you possibly can and down it comes in an instant, felled by a woman’s second glance, a child’s apple breath, the shatter of glass in the road, the words ‘I have something to tell you,’ a cat with a broken spine dragging itself into the forest to die, the brush of your mother’s papery ancient hand in a thicket of your hair, the memory of your father’s voice early in the morning echoing from the kitchen where he is making pancakes for his children.” – One Long River of Song: Notes on Wonder for the Spiritual and Nonspiritual Alike by Brian Doyle

Easter Sunday, 2020 in the time of COVID-19: Just about the coolest and most uplifting and loving and literary and funny and expansive collection of essays you could ever read.

In my last post I wrote that I discovered two favorite, amazing, new-to-me authors in my 2019 reading. Margaret Renkl is one; Brian Doyle is the other.

During the first month of our time in Oregon, we lived in Lake Oswego. The first time I entered the public library, I saw a Christmas tree decorated with hand-written tributes to Brian Doyle, who had made his home in Lake Oswego and who had recently died.

I ended up reading a collection of his essays and his most famous novel. If you are looking for joy in the midst of this pandemic, Brian Doyle would be the writer to read.

Here is what Margaret Renkl had to say about One Long River of Song:

“If you are in love with language, here is how you will read Brian Doyle’s posthumous collection of essays: by underlining sentences and double-underlining other sentences….by marking whole astonishing paragraphs with a squiggly line in the margin, and by highlighting many of those squiggle-marked sections with a star to identify the best of the astonishing lines therein…. and, finally, by dog-earing whole pages, and then whole essays, because there is not enough ink in the world to do justice to such annotations, slim as this book is and so full of white space, too.” – Margaret Renkl in The New York Times

Below are some excerpts. By the way, Brian was a devout Catholic, but you do not have to be a Catholic, or a Christian, or religious or spiritual in any way to sip from the wellspring of joy that runs like a river through all of Brian’s writing.

“But you cannot control everything…All you can do is face the world with quiet grace and hope you make a sliver of difference…You must trust that you being the best possible you matters somehow…That being an attentive and generous friend and citizen will prevent a thread or two of the social fabric from unraveling.”

****

“A 5.56-millimeter bullet can punch nearly half an inch into steel, and punch right through a bulletproof vest, and punch right through a human being of any size and shape and age and nationality and gender and religion and sexual orientation and combatant status, or not….

Dear outraged shrieking lunatic, you who are about to lecture me on how this was just an accident, and how it’s a necessary part of the capitalist system, and how I am clearly a yellow liberal pansy: Are you only stupid, or are you insane?”

****

[On hummingbirds} “Each one visits a thousand flowers a day. They can dive at sixty miles an hour. They can fly backward. They can fly more than five hundred miles without pausing to rest. But when they rest they come close to death: on frigid nights, or when they are starving, they retreat into torpor, their metabolic rate slowing to a fifteenth of their normal sleep rate, their hearts sludging nearly to a halt, barely beating, and if they are not soon warmed, if they do not soon find that which is sweet, their hearts grow cold and they cease to be.”

****

“Every creature on earth has approximately two billion heartbeats to spend in a lifetime. You can spend them slowly, like a tortoise and live to be two hundred years old, or you can spend them fast, like a hummingbird, and live to be two years old.”

MinkRiverMink River

This novel is about the quirky people who make up a quirky “little green cup of a town” on the Oregon coast.

“On a clear day the Oregon coast is the most beautiful place on earth—clear and crisp and clean, a rich green in the land and a bright blue in the sky, the air fat and salty and bracing, the ocean spreading like a grin. Brown pelicans rise and fall in their chorus lines in the wells of the waves, cormorants arrow, an eagle kingly queenly floats south high above the water line.”

****

“Rained gently last night, just enough to wash the town clean, and then today a clean crisp fat spring day, the air redolent, the kind of green minty succulent air you’d bottle if you could and snort greedily on bleak, wet January evenings when the streetlights hzzzt on at four in the afternoon and all existence seems hopeless and sad.”

****

“She’ll be a fierce woman, that one. It’ll take a hell of a man to love her right. Be like living with a thunderstorm. Same as her mother. A fierce woman. Force of nature. The kind of woman you just hand on for the ride. The most exciting and the most heartbreaking woman you could ever meet. They don’t know their own minds most of the time, but their hearts are so damn big it hurts em inside.”

****

“Dawn. A pregnant green moist silence everywhere: and the robins start, and then starlings, and the jays, and the juncos, and the barred owl closing up shop for the night, and a hound howling in the hills which starts a couple other dogs going, which sets a guy to shouting at the dogs to shut up for chrissake, and someone tries to get a recalcitrant truck going, and the truck just can’t get going, it gasps and gasps and gasps, which sets the owl going again….and then the truck finally starts but then immediately dies, which sets the driver to cursing steadily feck feck feck which sets his passenger to giggling and the passenger’s giggle is so infectious that the driver can’t help but laugh either, so they are laughing…”

****

“They pull in the lines and up come three small halibut, a vermilion rockfish that is the reddest thing Nicholas has ever seen, and a ling cod with a gaping mouth the size of China. They clean and ice the fish. Gulls wheel and dive at the offal flung into the water.

See? No snot, no shit, and birds clean up after you, says Grace.

Can I ask you a question? says Nicholas.

No.

Do you miss your dad?

No.

Is your mom dead?

No.

Should we bait up again?

Yes. 

Am I bugging you?

Yes.

I’ll stop talking.

No.”

****

“These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife’s voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children’s hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. …..Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife’s eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.”

Brian Doyle passed away from complications of a brain tumor in 2017.

 

Columbia River
Columbia River, view from Amtrak train heading for Portland, 2018.

 

Birdsong on the trolley trail, Easter Sunday, 2020.

 

We come from Joy; we are sustained in Joy, and to Joy we will return. – The Upanishads

Late Migrations

Late Migrations

 

“Every day the world is teaching me what I need to know to be in the world.” – Margaret Renkl, Late Migrations: A Natural History of Love and Loss.

Last year I encountered two new-to-me writers who bowled me over.

I would say that one of them, Margaret Renkl, is a kindred spirit; she cares deeply about family, the natural world, and the fate of our earth. I never fail to read her opinion pieces in The New York Times.

I’d like to press her memoir into the hands of every reader I know. Late Migrations is a meditation in short, interlocking essays about family, love, loss and backyard nature, destined to become a classic.

It won the 2020 Reed Environmental Writing Award from the Southern Environmental Law Center, and was named a 2020 Notable Book by the American Library Association.

You couldn’t find a better book at a time like this. It’s written in short, exquisite essays of a page or two, so you can read it in small bits if you’d like.

There is grief – for lost family and a wounded natural world – but mostly her writing is a celebration of the natural cycles of life and death, and the wildlife accessible outside our windows and in our backyards.

In lieu of saying more, here is a 9-minute video trailer featuring Renkl, who calls her memoir “a love letter to my family and to the natural world.” The video is like a mini-retreat. Enjoy!

 

 

Have you read Late Migrations? Or another memoir about family and nature that is comparable?

Next on Books Can Save a Life: The other writer who bowled me over – just about the coolest and most uplifting and loving and literary and funny and expansive collection of essays you could ever read.

 

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Happy Easter Week! From the 2020 Dutch Connection at the George Eastman Museum in Rochester, NY.

 

The hour of land

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A lone soul at Emerald Pools, Zion National Park. “Wilderness is an antidote to the war within ourselves.” The Hour of Land, Terry Tempest Williams

 

Two glorious, sun-filled November days in Utah’s Zion National Park stand out when I look back on the cross county trip we completed on Thanksgiving eve. Visiting late in the season turned out to be perfect – the weather was warm and the park wasn’t crowded with tourists.

 

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Zion National Park. “This is land that should not be sold.” – The Hour of Land, Terry Tempest Williams

 

We went to four national parks in all: Zion, Carlsbad Caverns, the Grand Canyon, and Bryce Canyon. Zion was my favorite, while my husband’s was Bryce Canyon.

I found it frustrating that, while we took in some of our country’s most spectacular public lands, our current administration seemed to be dismantling the Environmental Protection Agency and has been intent upon shrinking our national monuments. People and corporations with great wealth, power and influence are determining the fate of our most beautiful and sacred lands.

In one of the national park bookstores, I bought Terry Tempest Williams’ The Hour of Land: A Personal Topography of America’s National Parks. It was published in 2016 to celebrate the 100th birthday of the National Park Service. Andrea Wulf, the author of The Invention of Nature, which I wrote about in a previous post, loves this book and so do I.

Terry Tempest Williams is one of our foremost nature writers and an important defender of the natural world. Years ago, I read her memoir, Refuge: An Unnatural History of Family and Place and never forgot it. Williams was sitting on her pregnant mother’s lap one day in the 1950s when she actually witnessed the test explosion of a nuclear bomb in the Utah desert. Williams’ mother, grandmother, and six aunts subsequently died of cancer. Her book showed me the possibilities of memoir, and how the places we come from are inseparable from our personal histories.

I’m about half-way through The Hour of Land, which is partly a personal account of Williams’ love affair with selected national parks; partly a history of the founding of these protected places; and partly a lyrical tribute to nature and a call to stop pillaging the earth.

 

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“This is the Hour of Land, when our mistakes and shortcomings must be placed in the perspective of time. The Hour of Land is where we remember what we have forgotten: We are not the only species who lives and dreams on the planet. There is something enduring that circulates in the heart of nature that deserves our respect and attention.”

 

I’ve especially enjoyed her essays about Grand Teton National Park in Wyoming, “Keep promise,” and Theodore Roosevelt National Park in North Dakota, “All this is what the wind knows.” Williams writes of how the Rockefeller family for years enjoyed the unparalleled beauty of their Wyoming ranch, then secretly bought thousands more acres and donated it all for the creation of Grand Teton National Park.

She surmises that Teddy Roosevelt would be appalled that his namesake national park has been surrounded and encroached upon by drilling and fracking in the Bakken shale oil fields which span several states and part of Canada. The fields represent “the biggest rush of oil and gas in American history,” according to Williams. Her memoir addresses not only how we are treating the land, but how our insatiable desire to mine its resources can be inhumane and undermine communities.

Ironically, Williams’ father and two brothers have made their living in oil and gas. She writes:

“My brother Dan was one of these men who came to work in the Bakken in 2014 to make money. He worked during the winter on the frack line, washing off the chemicals used to break up the strata below so the oil can seep up to the surface more easily. The brutality of the weather only approximated the brutality of the work. Sixty degrees below zero in howling winds is man against nature; but week after week morphing into months of solitary darkness and freezing nights alone cramped in the cab of a truck is crazy making. Like so many of the workers profiled in Jesse Moss’s revelatory documentary about the Bakken oil fields, The Overnighters, one of the roughnecks hoping to turn his life around by the big boom said, ‘I arrived broken and left shattered.’ What began as a dream becomes a matter of survival, and for some, as in the case of my brother, just barely.”

Before our cross country trip, I know nothing of the Bakken oil fields. Traveling west, we enjoyed the exquisite beauty of places like Zion, but we couldn’t avoid scenes of a brutal existence when we passed through oil and gas fields similar to those at Bakken, with rows of storage containers to house workers, six or seven to a container. According to Williams, typically the worker shifts are twelve days on followed by twelve days off.

During our travels, we met a woman who lives near one of the communities upended by unfettered drilling and fracking. She spoke of the invasion of thousands of workers from all over the country looking for limited housing; exorbitant rents; and roughnecks who frightened the locals. One man she knew always carried a gun, even when he emptied the trash in his backyard.

 

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We saw rows and rows of temporary housing as we traveled through oil and gas country.

 

Learning about all of this, I thought of two movies: Wind River, which came out this year, and the 2007 movie by Paul Thomas Anderson,  There Will Be Blood .

 

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A Zion elder. “Desert strategies are useful: In times of drought, pull your resources inward; when water is scarce, find moisture in seeds; to stay strong and supple, send a taproot down deep; run when required, hide when necessary; when hot go underground; do not fear darkness, it’s where one comes alive.”

 

But back to the beauty:

Last week I wrote about Molly Hashimoto’s book on watercolor painting, Colors of the West, and how each national park has its own palette. I especially liked Zion’s: the pink, russet, ochre and cream cliffs grab most of the attention, but I was also fascinated by the trees –  piñon, juniper, fir, spruce, maple, ash, cottonwood and aspen – and how their surprisingly delicate fall colors contrasted with the red-hued rocks.

 

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“Humility is born in wildness. We are not protecting grizzlies from extinction; they are protecting us from the extinction of experience as we engage with a world beyond ourselves. The very presence of a grizzly returns us to an ecology of awe. We tremble at what appears to be a dream yet stands before us on two legs and roars.”

 

On two consecutive days, we hiked to Zion’s Emerald Pools and to Weeping Rock, where we encountered the most peaceful and stunning natural places I’ve ever seen. Water compressed between layers of sandstone seeps out and gives rise to gentle, sparkling waterfalls (depending on the season) and lush hanging gardens.

Take a moment to enjoy one of the Emerald Pools:

 

 

And Weeping Rock:

 

Coming up: Our cross country trip took an unexpected turn, and what was waiting for me at journey’s end.

 

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The Virgin River Narrows. As you hike along this river trail, the canyon narrows to a series of slot canyons with almost no clearance. (We did not hike that far in.) The hike is rugged, and sometimes requires wading through deep water. The posted instructions for what to do in case of a flash flood were helpful but unnerving.

 

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“This is what we can promise the future: a legacy of care. That we will be good stewards and not take too much or give back too little, that we will recognize wild nature for what it is, in all its magnificent and complex history – an unfathomable wealth that should be consciously saved, not ruthlessly spent. Privilege is what we inherit by our status as Homo sapiens living on this planet. This is the privilege of imagination. What we choose to do with our privilege as a species is up to each of us.”

Wendell Berry’s Our Only World

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“I can tell you confidently that the many owners of small farms, shops, and stores, and the self-employed craftspeople who were thriving in my county in 1945, did not think of their work as ‘a job.’ Most of these people, along with most skilled employees who worked in their home county or home town, have now been replaced by a few people working in large chain stores and by a few people using large machines and other human-replacing industrial technologies. Local economies, local communities, even local families, in which people lived and worked as members, have been broken.”     
Wendell Berry, Our Only World

Ten Essays by The Mad Farmer, an American prophet

A few days before I wrote this post, people in our government were planning to vote on a cruel, senseless health care bill that would have meant insurance companies would no longer be required to cover outpatient care, emergency services, hospitalization, pregnancy, maternity and newborn care, mental health and substance abuse treatment (mental health is a cause especially close to my heart), prescription drugs, rehabilitation, laboratory and diagnostic tests, preventive and wellness services and pediatric care.

I thought about all the working poor and those without jobs in Ohio, where I grew up. This health care bill would have wrought only further misery and suffering, and yet many of those who would have been adversely affected had voted in the current administration.

I was afraid to look at the news on Friday, and relieved and thankful when I finally did. There had been no vote on the bill. The fate of health care in the United States would be determined another day.

For some reason, it seems we are forcing ourselves to sort everything into the categories of liberal or conservative, and pro-government or anti-government, when of course the world is far more complex, and far more beautiful.

To keep myself sane and as a balm when I’m tired of all the vitriol, I’ve been reading Wendell Berry. I’ve wanted to dive into his writing for a long time. Needless to say, Berry doesn’t give much credence to strictly liberal or conservative world views.

He is a long-time Kentucky farmer and a devout Christian who writes poetry, short stories, novels, and essays, brilliantly. Affectionately known as “the mad farmer,” Wendell Berry is an American prophet, a voice of reason, humility, and humanity who has been compared to Emerson and Thoreau. If every person in America, young and old, read a few of his poems or stories, maybe we’d be in a better place.

Our Only World, a collection of ten essays, is a good choice if you want a concise introduction to Wendell Berry. (The book pictured above refers to eleven essays, but my copy had only ten, so I assume an essay was removed before publication.)

There were so many passages I wanted to quote, it was hard to choose. When I read the passages below, I thought of the economic devastation I’ve seen in my home town and in my home state of Ohio:

“….the disposability of people….is one of the versions of ‘creative destruction,’ which is to say the theme of heartlessness, heartbreak, and permanent damage to people and their communities….We now use ‘Luddite’ as a term of contempt, and this usage, often by people who consider themselves compassionate and humane, implies a sort of progressivist etiquette by which, in the interest of the future (and the more fortunate), we are to submit passively to our obsolescence, disemployment, displacement, and (likely enough) impoverishment. We smear this over with talk of social mobility, upward mobility, and retraining, but this is as false and cynical as the association of ‘safe’ with the extraction, transportation, and use of fossil and nuclear fuels.”

“The ruling ideas of our present national or international economy are competition, consumption, globalism, corporate profitability, mechanical efficiency, technological change, upward mobility – and in all of them there is the implication of acceptable violence against the land and the people. We, on the contrary, must think again of reverence, humility, affection, familiarity, neighborliness, cooperation, thrift, appropriateness, local loyalty. These terms return us to the best of our heritage. They bring us home.”

“If one accepts the 24th and 104th Psalms as scriptural norms, then surface mining and other forms of earth destruction clearly are perversions. If we take the Gospels seriously, how can we not see industrial warfare and its unavoidable massacre of innocents as a most shocking perversion? By the standard of all scriptures, neglect of the poor, of widows and orphans, of the sick, the homeless, the insane, is an abominable perversion. Jesus taught that hating your neighbor is tantamount to hating God, and yet some Christians hate their neighbors as a matter of policy and are busy hunting biblical justifications for doing so. Are they not perverts in the fullest and fairest sense of that term? And yet none of these offenses, not all of them together, has made as much political-religious noise as homosexual marriage.”

Even more than mental health and health care, I care about our earth and climate change. Here are some things Wendell Berry has to say about our relationship to the natural world:

“…. the limited competence of the human mind… will never fully comprehend the forms and functions of the natural world. With the development of industrialism, this misfitting has become increasingly a contradiction or opposition between industrial technologies and the creatures of nature, tending always toward the destruction of creatures, creaturely habitat, and creaturely life. We can respond rationally to this predicament only by honest worry, unrelenting caution, and propriety of scale. We must not put too much, let alone everything, at risk….

….all our uses of the natural world must be governed by our willingness to learn the nature of every place, and to submit to nature’s limits and requirements for the use of every place.”

A poet and writer I know writes of “the daily bread of language,” and lately I’ve enjoyed partaking of the daily bread of Wendell Berry. One of my blog readers suggested that I look at Berry’s fiction, too, so next week I’ll write about Hannah Coulter and a few other novels that take place in Port William, a fictitious Kentucky town.

The Bill Moyers interview below is a wonderful introduction to Wendell Berry. Listening to him measuring out wisdom in his musical Kentucky cadence calms the mind and soothes the soul.

*****

By the way, the march for climate, jobs and justice, sponsored by the People’s Climate Movement, will take place in Washington, D.C. on April 29, 2017, together with thousands of Sister Marches around the world. My husband and I are planning to march in Washington or New York City. Will there be a march near you?

Have you read Wendell Berry? Which of his books would you recommend? Are you a fan of other writers of a similar nature?

On enemies of the people, William Stafford, and writing

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I was not happy when the President tweeted that our nation’s news media is the enemy of the people.

AmericanaseriesI am not a practicing enemy of the people, but as an undergraduate, my minor area of study was how to be an enemy of the people. I liked it so much I studied it in grad school, too. I have a brother whose previous job at a major newspaper was to help oversee the printing of work by enemies of the people for distribution to an entire city. When I was a librarian, my colleagues and I taught how to tell the difference between authentic enemies of the people and fake enemies of the people.

Given the President’s careless and disrespectful words, it was a comfort to be taking an online class with like-minded people, “Daily Writing in the Spirit of William Stafford,” taught by his son, poet and essayist Kim Stafford.

A poet and pacifist, William Stafford was amazingly prolific, having written some 22,000 poems during his lifetime.

WilliamStaffordHe had an early morning writing practice, and he never missed a day. Kim Stafford introduced us to his father’s writing process, gleaned from the stacks of journals William Stafford left behind. Kim encouraged us to relax into our writing, to be seekers as William Stafford was, to experiment and explore.

Our only requirement in this five-week class was to maintain a daily writing practice and share one day’s unedited writing with the class once a week. As you can imagine, the daily post-election drama weighed heavily on many of us and showed up often in our writing.

I chose not to work on my memoir during the 30 – 60 minute daily writing practice I began in connection with this class. Kim Stafford believes that, though writing can be hard work, it can be a pleasure, too, something to look forward to. When the writing isn’t easy, Kim looks for ways to make it more easeful. Since working on the memoir is goal-driven and often difficult or stressful, I decided to see if I could make my early morning writing time something separate and satisfying.

It did become that, and I now have the beginnings of several writing projects that I could develop further if I choose to:

  • An essay on whether the President has a mental illness, drawing on my experience of mental illness in the family
  • an essay on dystopias – whether we’re in one now and how each of us is a kind of “hero” character with a role to play
  • a personal essay in which I remember a disastrous first-grade art class and contrast it with a watercolor class I’m taking now, my first art class in decades
  • a sample first entry for my next book project, in which I observe, moment by moment, the sunrise outside my window.

I met some wonderful people, writers of all levels, including: a poet who is also a traditional letterpress printer and bookbinder in Virginia’s Blue Ridge Mountains; a professor of psychology and education with a background similar to my own (she also had a mother with schizophrenia) who developed a psychological tool to measure levels of humiliation that is used around the world; and another poet whose dream is to establish a retreat for artists and writers at her home on Whidbey Island.

If you are a writer and would like to know more about Kim Stafford’s approach to writing, you might enjoy his book of essays, The Muses Among Us: Eloquent Listening and the Pleasures of the Writer’s Craft. My copy is marked up with several favorite passages.

This quote is on the Northwest Writing Institute website:

“The problems of our time are political, ecological, economic—but the solutions are cultural. How do people speak their truth? How do we listen eloquently? If communication is the fundamental alternative to violence and injustice, what is the work of each voice among us?”  Kim Stafford

For a time, twenty of us enjoyed communally “the daily bread of language,” as my new poet/printer friend would say.

Here is a link to William Stafford reading “At the Un-National Monument Along the Canadian Border.”

You might enjoy these wise words:

 

It just so happened that at the close of our class, Terrain.org: A Journal of the Natural and Built Environment featured a fascinating interview with the Stafford family, “Talking Recklessly.”

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A poem by printer Emily Hancock of St. Brigid Press. Emily refers to “the daily bread of language,” and that is what we enjoyed in Kim Stafford’s class.

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Visit the St. Brigid Press website, where you’ll see stunning photos of hand-set type, hand-carved illustrations, foot-powered presses, and hand-sewn books. If you frequently contact your representatives, consider ordering “The People’s Post Cards.” And be sure to see “This Is a Printing Office.”

Upstream

upstream“The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.”  Upstream, by Mary Oliver

Mary Oliver is a gift to the world.

I’ve learned many things from America’s most beloved poet, with honoring one’s creative impulse being the most important, followed by: pay attention. She has shown us, through her poetry and essays, how to do both of these across the span of a long and fruitful life.

She won the Pulitzer Prize for her poetry collection, American Primitive,  and the National Book Award for New and Selected Poems.

Her latest collection of essays, Upstream, (which contains both new and older work) is a look back at a life well lived, steeped in nature and literature. It has been on the New York Times Bestseller Nonfiction List for many weeks.

Oliver writes of the preoccupations and obsessions of the poets and thinkers that most influenced her, including Walt Whitman, William Wordsworth, Ralph Waldo Emerson, Edgar Allen Poe, and Percy Bysshe Shelley. You don’t have to like poetry to appreciate what she has to say about these fascinating writers.

I like those essays, but I love the more personal essays taken from daily life, my favorites being “Bird” and “Building the House.” I say personal, but Mary Oliver often shines a light on some miracle of nature – a wounded gull, or a female spider, or black bear – in a way that tells us much about her own life and her deepest beliefs.

If you have not yet read Mary Oliver, you could start by listening to a few of her most famous poems, such as “Wild Geese” and “The Summer Day” and “The Journey.”

 

 

Upstream is a beautiful little book for ringing out 2016, welcoming 2017, and reading on a cold winter’s night.

“I would say that there exist a thousand unbreakable links between each of us and everything else, and that our dignity and our chances are one. The farthest star and the mud at our feet are a family; and there is no decency or sense in honoring one thing, or a few things, and then closing the list. The pine tree, the leopard, the Platte River, and ourselves – we are at risk together, or we are on our way to a sustainable world together. We are each other’s destiny.”

Merry Christmas and Happy Holidays to all!

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We’ve had this little birchbark canoe for many years.

 

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A favorite house in our village, vintage upstate New York.