Still reading Barry Lopez

Stories…offer patterns of sound and association, of event and image. Suspended as listeners and readers in these patterns, we might reimagine our lives…As long as it took for me to see that a writer’s voice had to grow out of his own knowledge and desire, that it could not rise legitimately out of the privilege of race or gender or social rank, so did it take time to grasp the depth of cruelty inflicted upon all of us the moment voices are silenced, when for prejudicial reasons people are told their stories are not valuable, not useful.                    Barry Lopez

About This Life book coverIn the introduction to his essay collection About This Life: Journeys on the Threshold of Memory, Barry Lopez tells of meeting a man on a plane who asked what words of advice he could pass on to his teen-age daughter, who wanted to be a writer. This is what Lopez said:

She must read, and her choices should be whatever she is drawn to.

She should read the classics, too, but she’ll have to work harder to find stories of heroism, love, and our noblest values that are written by women.

Second, she must “become someone” and “speak to us from within those beliefs.”

Third, he advised that she “separate herself from the familiar.” After exploring other places and meeting a diversity of people, she`ll know why she loves the familiar and share this knowledge through her writing.

Early on, Lopez felt he was noticed, accepted, and rewarded as a writer in part because he was white, male, privileged and well educated. If you read his work, you’ll find he is keenly sensitive to the fact that many voices haven’t been heard because they are different or not within traditional circles of power. He thrives on traveling to the far corners of the earth and seeking these people out –  artists, artisans, farmers, naturalists, explorers who live close to the land, indigenous peoples, and others.

I was mesmerized by an essay in About This Life, “Effleurage: The Stroke of Fire.”  An Oregon potter and builder of a unique anagama kiln invites clay artists from around the world to fire their work. Jack doesn’t care about marketing or commercial success; he’s totally immersed in the process of making pottery out of materials from nature. Every three or four months, up to twenty artists bring their work to be fired in the Dragon Kiln.  Families, friends, even pets tag along. The firing goes around the clock for several days. Building the tremendous fire that heats the kiln is an art in and of itself. Different kinds of wood – black locust, maple, cherry, Lombardy poplar, red cedar – make different kinds of fires, and keeping the fire properly stoked is a community effort of like-minded artists who put aside their egos for the benefit of the group.

Lopez says you must become someone to write. I think he would agree the kiln designer and the clay artists are “becoming” through their life’s work, just as their clay pieces are forged in the fire. It’s a process that never ends. Even the clay pot continues to change, subtly, after the firing.

Crow and Weasel book coverOver and over, Lopez celebrates journeys into the unknown, strangers who become friends, coming home again, and the writing of the story. You see this in About This Life and in his fable, Crow and Weasel.

Recently, Lopez published a revelatory personal essay that has received a lot of attention, “Sliver of Sky,”  in Harper’s Magazine, about a period of sexual abuse he endured as a child. That Lopez waited until his seventies to write about this suggests how deeply confounding and wounding it was. The trauma and years of silence may explain in part Lopez’s empathy and compassion for others who were silenced for one reason or another. And no doubt it has contributed to his sense of mission as a writer.

I’ve written about years of being silent and feeling silenced by others because of my mother’s mental illness. I think that is partly why I didn’t make the commitment to becoming a writer when I was younger. How can you mature as a human being and as a writer when you can’t work with the very material that is woven into your identity?

If we’re silenced, we’re blocked. We don’t become our fullest selves. Diminished in what we are able to offer the world, the world will be diminished, too. It is in our bests interests to see that no one among us is silenced.

So I find reading Lopez to be a rare and important form of encouragement.

In an interview with Bill Moyers, Lopez says he’s viewed as a nature writer but, actually, he is writing about humanity.

“Every story is an act of trust between a writer and a reader; each story, in the end, is social. Whatever a writer sets down can harm or help the community of which he or she is a part.”

Quotes from: About This Life: Journeys on the Threshold of Memory, Barry Lopez, Vintage Books, New York: 1998.

Reading Barry Lopez, gathering words

The role of the artist, in part, is to develop the conversations, the stories, the drawings, the films, the music—the expressions of awe and wonder and mystery—that remind us, especially in our worst times, of what is still possible, of what we haven’t yet imagined. Barry Lopez

Arctic Dreams book coverWhen I began this blog I chose for my tagline a quote by Barry Lopez about stories because it rang true for me. But I’d never actually read any of Lopez’s books. So I began with Arctic Dreams, followed by About This Life: Journeys on the Threshold of Memory.

If you want to be an armchair traveler of the world, if you love nature, if you crave being transported to another time and place by extraordinary writing, you must read Barry Lopez. Arctic Dreams has some of the most dazzling and poetic passages about the natural world you’ll ever encounter.

“The aurora borealis, pale gossamer curtains of light.”

“The mother-of-pearl iridescence of the sun’s or moon’s corona in clouds.”

“The outcry of birds, the bullet-whirr of their passing wings, the splashing of water, is, like the falling light, unending.”

You will find uncommon truths, beautifully expressed. Here is Lopez on the great Arctic explorers of the past: “The day after a little trouble in the ice it is possible to imagine, if but imperfectly, the sort of reach some of these men made into the unknown, day after day.” 

“I think we can hardly reconstruct the terror of it, the single-minded belief in something beyond the self.”

“Inescapable hardship transcended by a desire of spiritual elevation, or the desire to understand, to comprehend what lay in darkness.”

“What dreams there must have been that were never written down….that remained in the heart. The kind of dreams that give a whole life its bearing, what a person intends it should be, having seen those coasts.”

If you want to write, how can you move closer to this kind of mastery of language?

old dictionary
Webster’s New International Dictionary, 2nd ed., unabridged, 1944

When I was reading Lopez, I happened to make a happy discovery in my writing bible, Priscilla Long’s The Writer’s Portable Mentor:  Lexicon Practice. Lexicon Practice involves looking up words you don`t know and words you want to know better, not in in a pocket dictionary or online, but in a mammoth 600,000-word dictionary, the kind you still see in some libraries.  (Long advises writers to search online for such a dictionary, commonly published in the 1930s, 40s, and 50s. They aren’t cheap, but they are a wise investment.) You copy all of the definitions of a word in a notebook. These old dictionaries have detailed diagrams and illustrations, and occasionally I copy them as well.

I write down the word in its language of origin, too. If it has a Latin, Italian or Spanish root, I can brush up on my foreign language vocabulary. Long instructs you to also write out the sentence where you found the word and make up a sentence of your own, preferably a sentence you can use in a piece of writing you’re working on. You can choose a lexicon theme based on the work you are doing at the moment. Since I’m writing a memoir, for example, I have a lexicon with words commonly used in the 1960s – products, types of clothing, etc.

Long believes in Lexicon Practice. Otherwise, our writing derives from the uninspired language of generic, overused words and phrases we find in newspapers, magazines, advertising, and social media. As a teacher of writing, Long can tell immediately when a writer does not do a form of Lexicon Practice. She mentions Lopez as the kind of master writer we can emulate. He uses words with Old English and Old German roots, she says, and “…he favors concrete words…that can be seen, smelled, touched, tasted, or heard. For Lopez, language is a musical instrument…”

Now, Lexicon Practice is a geeky, writerly thing, but it appeals to me. I can certainly stand to expand my vocabulary, and I find it an especially relaxing pastime in front of a fire on a cold winter`s night. This kind of practice slows you down, teaches you to choose words with care. If you want to write rich, compelling fiction or nonfiction, you need to be in love with words in this way, or allow yourself to fall in love with them by doing work of this nature.

Culling words from Arctic Dreams was an inspiring way to for me to establish the habit of Lexicon Work. A variety of birds populate the first pages of my first lexicon: plover, whimbrel, curlew. There are many boats and nautical references: pinnace, tender, portolano chart.  Geographical terms, too: archipelago, scree, promontory.  Definitions and drawings(As I write this, my word processor does not recognize a few of these uncommon words and highlights them as misspellings.)

Long advises writers to compose word lists, too. Her examples: every possible synonym for blue (sapphire, smalt, cobalt, woad) and all the parts of a fiddle (peg box, side rib, bridge, button). You can work according to a theme. Chairs and chair parts. Types of roofs. Clothes for people who love the outdoors. Get an L.L. Bean catalog and find words like cargo pants, fleece, sun-washed, twill, seersucker, Mary Janes, wellies.

I found that keeping a lexicon is a good excuse to buy one of those expensive, fancy journals I love. Mine has a silvered filigree cover designed in Germany around 1800.

Currently, I’m gathering words from About This Life.

In my next post, more about Lopez and his themes. In the meantime, if you want to be uplifted, if you need encouragement in your life’s work, listen to a few minutes of this conversation between Barry Lopez and Bill Moyers.

Have you discovered any unusual words lately that you especially like? Leave them in the comments in my left sidebar.

Quotes:

On Writing: Statements of Purpose at http://www.barrylopez.com.

Arctic Dreams, Barry Lopez, Vintage Books, New York: 1986.

The Writer’s Portable Mentor, Priscilla Long, Wallingford Press, Seattle: 2010.

Chasing Ice

This is the memory of the landscape. That landscape is gone. It may never be seen again in the history of civilization.    James Balog

Ice Book CoverHe is a master photographer, an obsessed and possessed artist documenting our dying glaciers.

We sat with a packed audience Tuesday evening at The Little Theatre in Rochester watching Chasing Ice, a documentary about James Balog’s quest, which has become the quest of many others. After the movie, producer/director Jeff Orlowski (thoughtful, intelligent, thoroughly engaging) spoke with the audience via Skype.

Your first stop should be here, to listen to and watch this perfect marriage of music, image and theme: Scarlett Johansson singing “Before My Time”  to a montage of Balog’s magnificent work.

Chasing Ice is playing in selected cities around the country. You can request to host a screening by filling out a form on the Chasing Ice site. Let’s hope that it will be available on Netflix and other venues soon.

While you’re waiting for the documentary, visit the Extreme Ice Survey (art meets science) to see the official trailer, and then stop by the Earth Vision Trust.

Balog has just published Ice: Portraits of Vanishing Glaciers. His other books include Tree: A New Vision of the American Forest; Wildlife Requiem; Anima; and Survivors: A New Vision of Endangered Wildlife.

The filmmakers dedicated Chasing Ice to their children and their children’s children.

So stop by for a listen and a look. It’s the next best thing to seeing the movie.

Next up at Books Can Save a Life

At the moment I’m interested in nature, art, memoir, and fiction all rolled into one, so I’ll be featuring Barry Lopez (Arctic Dreams, Winter Count, About This Life, and “Sliver of Sky,” a recently published essay in Harper’s Magazine); The Voyage of the Narwhal by Andrea Barrett; and When Women Were Birds, by Terry Tempest Williams.

Arcadia, and what’s next

“The monster is peering in the window. The ice caps have melted, the glaciers are nearly gone; the interiors of the continents becoming unlivable, the coasts so storm-battered people are fleeing by the millions. New Orleans and the Florida Keys are being abandoned. The hot land-bound places are being given up for lost; Phoenix and Denver becoming ghost towns. Every day, refugees show up in the city. A family takes shelter in the lee of Bit’s front steps, parents with two small children, silent and watchful.”       from Arcadia, by Lauren Groff

Arcadia book cover

In the novel Arcadia, Bit and his family leave the dying commune they helped establish and move to New York City when Bit is fourteen. As an adult with a teen-age daughter, Bit is a good man who nonetheless feels guilty over what he calls his selfishness: his greatest concern is Grete’s survival in a world rendered dangerously unstable by climate change. No matter what happens, he says to himself and any greater power that may be listening, let Grete survive. That’s something I wonder about too, the kind of world my sons will inherit and the challenges they’ll face.

Reading this novel and Barbara Kingsolver’s Flight Behavior   got me thinking about a symposium on the environment I attended in 2010, sponsored by the Rochester Zen Center. Rochester has many treasures, and the Zen Center is one of them. Founded by Roshi Philip Kapleau in 1966 and now one of the largest organizations devoted to Zen Buddhism in the country, it occupies one of Rochester’s stately old homes off of East Avenue near the George Eastman House.  It has been extensively renovated, and the zendo is a stunning space for meditation.

The symposium, called “Turning Toward the Earth,” centered on the Buddhist response to our environmental crisis. This was an intense and unsettling day, the kind of day that makes you want to take dramatic action, upend your life to make a difference – but just how do you do that? The name of the symposium came from “The Great Turning,” a term coined by Joanna Macy, one of the featured speakers that day. Her stance is explained in an article in the Zen Bow:

“The Great Turning is a concept developed by Buddhist philosopher and activist Joanna Macy to help us understand and engage with the momentous change in worldview that is required of us now, at the close of the modern age. Because our species’ enormous technological power is not matched by our spiritual development we have reached a crisis-point unlike any other in the history of humankind, one in which all other sentient beings and so-called inanimate things are irrevocably caught up.”

In her talk at the symposium, Macy encouraged us to act, regardless of any specific outcomes, no matter how overwhelming the challenges may seem. Author and Zen Buddhist David Loy also spoke. He, too, talked of the need for spiritual transformation on an individual level to save our earth as we know it. A tall order, but he seemed hopeful. Conservation biologist Michael Soule, also a speaker, is largely concerned with the dramatic diminishing of species. He believes humans must change their self-centered nature and overcome their selfishness to solve the the extinction crisis, but he is less hopeful. He wasn’t shy about saying he thinks it is already too late.

If you’d like to know more about the Buddhist response to the environmental crisis, take a look at some of the books authored by Macy and Loy. I have read Macy’s World As Lover, World As Self, and I want to read more of her work.

Buddha

Chasing Ice is a documentary about environmental photographer James Balog, who set up time-lapse cameras across the Arctic to record the melting glaciers. One of the trailers shows an astounding view of a glacier calving – breaking up into an immense iceberg. Once part of a glacier becomes an iceberg, it melts much more quickly.

We’ll be watching the documentary Tuesday evening at the Little Theatre.

Introductory quote from Arcadia, Lauren Groff, Hyperion, New York: 2012. Quote from Zen Bow: “It Goes Along With Everything Else: Mass Extinction and the Great Turning,” Sensei Amala Wrightson, Zen Bow, 23(1), 3 – 8.

Arcadia, an American commune

I was so embarrassed and desperate to fit in. I didn’t tell anyone about the commune.   Rena Mundo Croshere, in the trailer for the documentary, American Commune

Arcadia book coverI’ve been reading Arcadia by Lauren Groff, a novel about a boy named Bit who grows up on a commune in western New York. The fictional story was inspired by The Farm, an intentional community in Tennessee that grew to become the largest commune in America in the 1970s. When I was describing Arcadia to a friend, she mentioned a documentary-in-the-making about The Farm produced by two sisters, Rena Mundo Croshere and Nadine Mundo, who were raised there.

I looked at the trailer, which is tantalizing. I’m looking forward to watching the full documentary, which is slated for release this year. I was especially taken with a moment when Rena Mundo Croshere describes abruptly leaving The Farm after over-population and a police raid caused a mass exodus of families. After a shot of flower children singing on the commune, you see a VW bus driving along a highway, then a TV ad for Barbie make-up, followed by a teenage Rena in her bedroom, with her voice-over saying she wanted to fit in so badly, she didn’t tell anyone about the commune. Moving off The Farm, with its lifestyle built on a vow of poverty, to Los Angeles and mainstream, materialistic America was, she says, like moving to another country.

This notion of hiding one’s true self and background resonates with me because I did something similar by not telling anyone about my mother’s mental illness when I was growing up. I can identify with this leading of a double life, of presenting one face to the public while hiding one’s true self and world of origin. For the same reason, I was drawn to the novel Arcadia, at once curious about what life was like inside a 1970s commune and about how the teenager, Bit, would adjust to living in urban New York after 14 years on a commune. Bit had never once seen the outside world – had never traveled to the “big cities” of Syracuse or Rochester, had never seen bathrooms as we know them with toilets and conventional indoor plumbing, had never been inside a grocery store or to public school.

Groff doesn’t glamorize the communal life but, in her view, completely abandoning the hippie cultural experiment isn’t the answer, either. I had thought Groff’s climax and conclusion would center on Bit’s adjustment to vastly different cultures, but she doesn’t end it there. She takes us into the future, to the year 2018 or so – a world of pandemics, climate change, and food shortages – implying that we need to take another look at these utopian social experiments that were, in many ways, ahead of their time.

In an interview included in the paperback edition of Arcadia, author Lauren Groff says, “In my research, I saw many 1960s counterculture idealists become, over time, obsessed with things like Peak Oil and gold and how to live off-grid, a kind of palpable belief that society is at the brink of failure. They’re not wrong. It’s hard to raise a child these days and not fear doom. This book was my argument with myself for hope.”

More about Arcadia to come in my next post.

Book Giveaway Winner

Lynne Favreau has won my Books Can Save a Life 1st anniversary book giveaway! You can catch her very funny blog here.

Quote by Lauren Groff from “A Conversation with Lauren Groff” in Arcadia, Lauren Groff, Hyperion, New York: 2012.

Quote by Rena Mundo Croshere in the trailer, American Commune, Mundo Films.

Children of mental illness, part 2

“…so we just took her home to wait for a bed in the good hospital, which was going to take a few days, according to him [the psychiatrist]. He said to keep a watch on her, remove all the knives, put sheets over the mirrors so she can’t see herself, because that would set her off. And of course, make sure she doesn’t kill herself, or anybody else.”  June, from Daughters of Madness, when she and her sister (ages 13 and 15) sought treatment for their mother in the 1980s.

Daughters of Madness book coverI’ve been reading Growing Up With a Schizophrenic Mother by Margaret J. Brown and Doris Parker Roberts, and Daughters of Madness by Susan Nathiel. After my last post, Children of Mental Illness, I was thrilled to hear from author Susan Nathiel. Susan tells me she will publish Sons of Madness this August.  There are fewer interviews in her forthcoming book than in Daughters of Madness because male volunteers were harder to find. Susan says, however, that the interviews included in her new book are excellent.  I’m glad to hear about this new publication, because there still isn’t a lot written about the experience of growing up with a seriously mentally ill parent.

When I was coming of age in the 1960s and 1970s, I thought I was the only daughter in the world who had a mother with schizophrenia. Many of the individuals interviewed in these books are baby boomers like me. Some of us had encounters with mental health professionals who were compassionate and helpful, but more often they were uninterested in helping children and teens with a mentally ill parent, unaware of their needs, or not permitted to help by the mentally ill parent or another adult family member.

Back then, there was no NAMI (National Alliance on Mental Illness). There were no support groups for families of the mentally ill, little in the way of books or educational materials about mental illness, and no Internet where you could plug in a keyword such as “schizophrenia” and retrieve information. Sometimes, I think that dearth of information and the fact that mental illness was kept secret by all concerned were the reasons I went into communications and later medical librarianship. I wanted a voice that could be heard, and I wanted to give people the vital health information they needed and deserved.

Thankfully, things have changed, though I don’t think they’ve changed enough. There are excellent mental health family services at the medical center where I work, and we librarians at the medical library often give information and educational materials to patients. One of our librarians specializes in providing mental health information to patients and families. But mental health care in our country still needs fixing; unfortunately, too many patients and families don’t get the services they need.

When I was a teenager, it didn’t occur to my mother’s mental health care providers that I might need to know her diagnosis. Now, when I give a patient or a family member health information, I feel I’m doing a little bit to validate their experiences and make their lives better. But I’m also making up for what I never got until quite late in the game. I’m saying to patients and their families: You matter. You need to know. You deserve the best information we can give you.

Book Giveaway

In celebration of my first anniversary as a blogger, I’m giving away a book to one lucky person who leaves a comment on any of my posts here at Books Can Save a Life in February. There are still a few days left to join the conversation and add your name to the drawing, so please do!

Quote from: Daughters of Madness: Growing Up and Older With a Mentally Ill Mother, Susan Nathiel. Praeger, Westport, Connecticut: 2007.

Children of mental illness, part 1

….what a courageous little girl she was…she kept me alive. I feel such pride in her…

These are the words of the daughter of a mother with serious mental illness looking back on her childhood in Growing Up With a Schizophrenic Mother, by Margaret J. Brown and Doris Parker Roberts.

Growiong Up With a Schizophrenic Mother book coverI never thought about it quite this way before, but I’m a member of a select group: adult children of a mother with schizophrenia.

There are more people who have a mother with schizophrenia than you might think –  millions, in fact – because often schizophrenia doesn’t manifest until after a woman has children.

But most of us believe we’re the only ones. No one else could possibly have had the bizarre, surreal childhoods we had. We believe this because we grew up in layers of isolation, self-imposed by ourselves and our families due to embarrassment, shame, and the illness itself, and imposed from the outside by others: extended family, our communities, and society.

We were rarely asked about what was going on with us and our families, though in most cases it was obvious there was something wrong. People didn’t want to hear about mental illness because it scared them and made them uncomfortable. If we did try to confide in someone, which was rare, we were explicitly told not to talk about it or made to feel the topic was inappropriate. Often, the mentally ill parent wanted nothing to do with others and drove everyone away.

I grew up in the 1950s, 60s, and 70s, when the stigma and silence surrounding mental illness were even more profound than it is today. Many of the adult children in the two books I’ve been reading are of my generation.

Growing Up With a Schizophrenic Mother, by Margaret J. Brown and Doris Parker Roberts (2000), and Daughters of Madness: Growing Up and Older with a Mentally Ill Mother by Susan Nathiel (2007), contain excerpts from in-depth interviews with women and men who grew up with a seriously mentally ill mother. At the time they were researching their book, authors Brown and Roberts found little about the effects of mentally ill parents on children in the psychiatric literature, though that is changing. Margaret Brown and Susan Nathiel grew up with mothers who suffered from schizophrenia and, like many with similar backgrounds, both became therapists. Nathiel and her father weathered decades of her mother’s schizophrenia but never once spoke about it with each other until Nathiel was in her fifties.

The authors concede these books may be skewed because they are the stories of high-functioning survivors, many who now have loving, stable families and successful careers as accountants, therapists, lawyers, and sales people. Those not so resilient are less likely to volunteer to speak about their pasts. Yet despite the measure of success achieved by the adult children in these books, in many cases the stories they tell can only be described as horror stories. The adult children themselves have an unshakeable, lifelong sense of loss and loneliness, and some do not even have a solid sense of their own selves.

One little girl, Naomi, learned to follow other children to school when she and her mother moved to a new neighborhood, as they often did, and enroll herself because there was no one else to do it. Other children learned how to cash welfare checks, go to the grocery store for food, and negotiate with landlords.

In the very worst of these stories, seriously mentally ill mothers tried to kill their children (by poisoning, turning on gas stove burners, parking on railroad tracks). Yet, in all of these instances, the children remained in the care of their mothers.

These extreme cases are rare, and it’s important to remember this was the mental illness speaking and not the true volition of the mentally ill mothers themselves.

Often, the parents divorced and the children lived alone with their ill mothers. In some cases, fathers tried to gain custody, but in decades past it was customary for mothers to have custody. In other cases, the fathers had serious psychological issues of their own or they chose to have little or no contact with the family.

I was fortunate for a number of reasons: my parents stayed together, we were stable financially, and my mother was relatively high-functioning. Though she could be hostile, frightening, and unpredictable (my siblings and I were routinely left alone with her), she was never violent in the way some of the mentally ill mothers described here were, and there was no physical abuse.

It was clear to extended family, friends, and neighbors that something was wrong with my mother, and if you were on the outside looking in I don’t see how you could be certain she wasn’t dangerous. (I found out years later my father discussed with his parents the possibility of us living with them.) Our family doctor, our minister, my aunts and uncles knew, but no one said anything to me about it.  As an older teenager, I turned to my aunt for some help, but throughout my childhood and adolescence I remember only two adults who initiated conversations about my mother: my piano teacher and my grandmother.daughtersofmadness

When I was ten or eleven, my teacher asked me if everything was alright at home. I was too embarrassed and too fearful of the consequences to confide in her, so I said everything was fine, though I know she didn’t believe me.

I had always considered my maternal grandmother to be my best friend. We were very close, and sometimes she’d spend the night, which I loved. But one night when she was visiting, my mother had a severe psychotic episode. My grandmother was so frightened and upset she called a friend to come and get her. “I’m not staying another minute in this house,” she said. My father wasn’t home. It was past midnight when I stood at the living room window and watched my grandmother drive away.

When I next saw my grandmother, she said, “I spoke with my doctor, and he said your mother could do harm to you kids.”

I didn’t know what I was supposed to do with that information; I was twelve.

When I was 19, I began to try and find help for my mother. (She had never seen a psychiatrist. There was nothing wrong with her, it was the world that was crazy.) I made an appointment with a social worker at the hospital nearby, which had a new psychiatric wing. It was my first encounter with the mental health system and, for the life of me, I can’t fathom why the social worker seemed irritated I had even made the appointment in the first place. She asked me several times if my mother was going through menopause. I didn’t know much about menopause, but I thought my mother’s behavior was awfully extreme for menopause. Finally, based on the cursory information I told her, the social worker told me not to do anything, because nothing could help my mother.

Ultimately, my mother was hospitalized for a time (that is another story), but no one else in our family was assessed or given counseling. In fact, I wasn’t told my mother’s diagnosis, and I felt I didn’t have the right to ask. I believe the mental health community was of little help to our family, and it failed my mother, too, in crucial ways.

A couple of years later when I was living in New York, I saw a therapist who urged me to talk with my mother’s psychiatrist about her diagnosis. After some badgering, the very reluctant Dr. M –  who said my mother had a right to privacy and confidentiality –  finally granted me an appointment. I’m not exaggerating when I say he looked like Freud himself. Dr. M was intimidating and formal, without an ounce of warmth or ease. He finally begrudged me my mother’s diagnosis. As far as he could tell, he said, she had paranoid schizophrenia.

This was in 1975. Today there are many compassionate and devoted mental health professionals, and there isn’t as much silence about mental illness as there used to be, but we have a long way to go. The mental health system is far from what it should be, and public stigma and denial are still pervasive. I’m sure there are children with seriously mentally ill parents living in situations similar to those I’ve described.

The problem of mental illness can’t be borne and solved by the families alone. They need our help.

Quote from Growing Up With a Schizophrenic Mother, by Margaret J. Brown and Doris Parker Roberts. McFarland & Company, Inc. Jefferson, N.C. 2000

First anniversary book giveaway

What one loves in childhood stays in the heart forever.   Mary Jo Putney

Snow-covered trees
After the storm.

                                         

Books Can Save a Life is a year old this month.

I’ve grown so fond of it here and of you who visit and comment. Meeting people from all over and re-connecting with friends and distant family  –  I never expected that.

Not to mention the beautifully conceived and produced blogs about books, writing, food, nature, gardening, travel, creativity, and other topics I’ve discovered, and the artistic geniuses behind them.

Books Can Save a Life is a lot like my backyard retreat, where I sit by our homemade pond after I walk or run. I always look forward to visiting Books to set down my thoughts and see who has stopped by.

To celebrate a year of Books, I’m having a book giveaway. By the end of February, leave a comment about a book you’re reading. a book you want to read, a book that’s becoming a movie, a book memory, or anything at all to do with reading, and I’ll put your name in a hat. (Actually, I use a rice bowl.) If I draw your name I’ll send you the book of your choice. If you can’t decide on a book, I’ll surprise you.

You might have noticed I’ve redecorated, too. I’ve chosen a new design theme in honor of the coming year and to signify a more expansive focus on topics beyond books. There’s so much I want to write about.

But you’ll still find plenty of books here.

Your comments and guest posts are what I absolutely love about this blog. Many of you spoke of books from your childhood that years later still evoke memories of family and loved ones, places you’ve been, and particular times in your lives. I think sometimes the very story or book we need comes along, or  somehow we’re led to find it.

Here are a a few comments from readers of Books this past year. Please keep them coming.

I can’t imagine my room without my personal bookcase, or a world without books. (Giuseppe)

It’s hard to put yourself in their places [The Hunger Games], living their lives and going through what they do daily in their “world,” but that’s what’s so great about books, they take you to different places and times through the amazing imagination of the authors. (Diana)

I find many so called adult novels pretentious. I want a story. I return, often, to what is classified as young adult literature, mostly because these are stories of life. Stories – in the true sense of the word. And, I can’t help but say that, years ago, I was saying to people, “Have you read the Harry Potter book?” And everyone said no. Then came that glorious day on the L in Chicago, traveling home from work, and I saw not one, not two, but six adults reading the book. I wanted to laugh out loud at the thought of those six people entering into another world…. (Donna)

Agatha Christie wrote a story without heroes; to me, that was heroic honesty.  Conversely, the inevitability of justice satisfied me. For all my contempt for two-faced authority, I still relished the idea of wrongdoers punished by divine oversight.  My sense of my own weakness as a child needed that reassurance. (Doug)

Cooking from Moosewood, even with its imperfections, was utopian. Funny how small, utopian practices can make you feel, despite the deepest contradictions, that summer is everlasting and life is good. (Judith)

….even the smallest person can step away from comfort and into challenge, that change is possible on scales small and large, that our efforts and intentions matter. The story reinforced for me that there are things in this world worth protecting–fellowship and love, food and conversation, adventure and courage, songs and stories. These are the things that sustain us when life is difficult, when we are hurt or afraid and have to be so much braver than we feel. (Adrienne)

Snow-covered bench

A WWII era classic American cookbook

canned goods

After my post about family cookbooks passed down through the generations, reader Deborah Brasket left a detailed comment I’ve highlighted in this guest post.

I like what Deborah has to say about one of her favorite cookbooks, published during World War II, because that was my parents’ era. Whenever I hear about Victory Gardens and rationing, I remember my mother telling me about how you couldn’t buy silk stockings back then, and how she and her siblings had to take turns tending the kitchen garden, and how there were no boys to go out with because they were all fighting overseas.

I think about my father in the Army in Europe, 1943. He missed his mother’s Italian cooking, and one cold November day while exploring Luxembourg he happened upon a tavern where there was an Italian wedding celebration. The family welcomed him with open arms and invited him to dinner the following day. It was my father’s last good meal before he was wounded at Cherbourg a few days later. He ate Army hospital rations for over a year while he recuperated.

Discovering book gems from the past is a pleasure quite different from cracking open a brand new book. I’m looking forward to tracking down a copy of Deborah’s family treasure.

Here’s what she had to say:

One of my favorite cookbooks was passed down to me from my mother: The Lily Wallace New American Cook Book, published in 1941. What I love about it is how it shows a whole different era of cooking “basics”. It has recipes for cooking frogs legs (3 recipes), grouse (3), rabbit (4), squirrel (2), turtle (2), snail (alas, 1) as well as other kinds of game (quail, partridge, venison, woodchuck, and pheasant.) It also has sections on preserving food, including canning, brining, and pickling.

My favorites are sections on: Ration Cooking, Saving Food for Victory, Saving Fuel, and Sugar Ration Cooking. The “Saving Food and Expense for Victory” chapter starts out:

“America may march to victory on its stomach. A nation’s morale and health depend greatly upon food. If the homemaker can do nothing else, she can wage an earnest battle for health and strength for her family in the kitchen, and thus contribute her share to ultimate victory on the military front.”

Another chapter I love is on menu planning, which includes sections on a Plan for a Liberal Diet ($3000 or over income) down to A Plan for a Restricted Diet for Emergency Use ($1000 or less annual income  – this one restricts meats mostly–Thursday’s dinner consists of whole-wheat chowder with carrots and potatoes, and bread; Saturday’s dinner consists of Hominy soup, stewed prunes, bread and butter. Yum.)

Deborah has sailed around the world, and she blogs about her journey, and nature, and writing at her beautiful site, Living at the Edge of the Wild. She writes fiction, essays, articles, poems and book reviews. You can read her work at http://www.djbrasket.com/.

Please tell us about your favorite family cookbook in the comments, or share a family cookbook story with us – send me an email at valoriegracehallinan@gmail.com.

Next up: I’ll be celebrating the first-year anniversary of Books Can Save a Life with an “open house” and a book giveaway.

Photo: Library of Congress

Bestsellers Tell What Possesses Us – Telegraph Avenue

This past fall and early winter there was a perfect storm of top authors publishing new books. I wanted to read a handful of them to see what possesses some of our best creative minds and our popular culture. I wanted to break out of old habits and venture to new places I wouldn’t normally find on my own.

I didn’t get to as many books as I’d planned, but I did read:

  • Flight Behavior, by Barbara Kingsolver
  • San Miguel, by T.C. Boyle
  • This Is How You Lose Her; and a previously published book, The Brief Wondrous Life of Oscar Wao, by Junot Diaz
  • Telegraph Avenue, by Michael Chabon
  • Sweet Tooth, by Ian McEwan

Most difficult of all was acclimating to the world of Telegraph Avenue. I almost gave up on it. I couldn’t keep Chabon’s characters straight, I was clueless about the endless blaxploitation and 1970s cultural allusions, even though that was my coming-of-age time, and I sometimes struggled with the rich, complex (and masterful) prose. The great librarian Nancy Pearl has a Rule of 50: Stop reading after 50 pages if you don’t like the book, and if you’re over 50 you can subtract your age from 100 and stop there. So I was well within my rights to stop before 50 pages, but I kept going with Telegraph Avenue, and it was worth it.

Telegraph Avenue book coverTo me, Telegraph Avenue and Junot Diaz’s books are similar in that I entered completely unfamiliar hearts, minds, and worlds. I’m unlikely to stop by a used record store in Oakland, California any time soon, or meet the kinds of characters (and I mean that in more than one sense of the word) who might hang out there.  In Telegraph Avenue, Archy (who is black) and Nat (who is white) are best friends, vinyl record shop business partners, and musicians struggling to make a living in a neighborhood that’s seen better days.

For one reason or another – race, ethnicity, gender, sexual orientation, changing times – the characters in Telegraph Avenue are outsiders or has-beens or both: former blaxploitation and martial arts stars, connoiseurs of soul and jazz and long-forgotten record albums, fine musicians in their own right. Many are regulars at Archy and Nat’s Brokeland Records, which reminded me of the bar in the TV show “Cheers.” I grew to like and care about these characters in large part because of their passion for music and devotion to their art. My godfather was a jazz pianist, and I dated a jazz musician. I remember how both lived and breathed jazz, in the same way Archy, Nat, and others do in Telegraph Avenue. Music shaped their lives, and when they were playing a gig, they had an aura of dignity and charisma others envied.

Yet, both my godfather and the musician I dated played the kind of jazz that was seen by many as antiquated in the 1960s and 70s when music was reinventing itself. There is the same sense of this passing away of art forms in Telegraph Avenue, and of people being rushed headlong into the future while trying to preserve what shouldn’t be lost.

If you’ve read Telegraph Avenue, what did you think? Please comment!

I’d like to give equal time to new, lesser known, and independent authors, so I plan in the coming months to read a sampling of fiction by some of these writers. If you have a book to suggest please do in the comments.