
I was not happy when the President tweeted that our nation’s news media is the enemy of the people.
I am not a practicing enemy of the people, but as an undergraduate, my minor area of study was how to be an enemy of the people. I liked it so much I studied it in grad school, too. I have a brother whose previous job at a major newspaper was to help oversee the printing of work by enemies of the people for distribution to an entire city. When I was a librarian, my colleagues and I taught how to tell the difference between authentic enemies of the people and fake enemies of the people.
Given the President’s careless and disrespectful words, it was a comfort to be taking an online class with like-minded people, “Daily Writing in the Spirit of William Stafford,” taught by his son, poet and essayist Kim Stafford.
A poet and pacifist, William Stafford was amazingly prolific, having written some 22,000 poems during his lifetime.
He had an early morning writing practice, and he never missed a day. Kim Stafford introduced us to his father’s writing process, gleaned from the stacks of journals William Stafford left behind. Kim encouraged us to relax into our writing, to be seekers as William Stafford was, to experiment and explore.
Our only requirement in this five-week class was to maintain a daily writing practice and share one day’s unedited writing with the class once a week. As you can imagine, the daily post-election drama weighed heavily on many of us and showed up often in our writing.
I chose not to work on my memoir during the 30 – 60 minute daily writing practice I began in connection with this class. Kim Stafford believes that, though writing can be hard work, it can be a pleasure, too, something to look forward to. When the writing isn’t easy, Kim looks for ways to make it more easeful. Since working on the memoir is goal-driven and often difficult or stressful, I decided to see if I could make my early morning writing time something separate and satisfying.
It did become that, and I now have the beginnings of several writing projects that I could develop further if I choose to:
- An essay on whether the President has a mental illness, drawing on my experience of mental illness in the family
- an essay on dystopias – whether we’re in one now and how each of us is a kind of “hero” character with a role to play
- a personal essay in which I remember a disastrous first-grade art class and contrast it with a watercolor class I’m taking now, my first art class in decades
- a sample first entry for my next book project, in which I observe, moment by moment, the sunrise outside my window.
I met some wonderful people, writers of all levels, including: a poet who is also a traditional letterpress printer and bookbinder in Virginia’s Blue Ridge Mountains; a professor of psychology and education with a background similar to my own (she also had a mother with schizophrenia) who developed a psychological tool to measure levels of humiliation that is used around the world; and another poet whose dream is to establish a retreat for artists and writers at her home on Whidbey Island.
If you are a writer and would like to know more about Kim Stafford’s approach to writing, you might enjoy his book of essays, The Muses Among Us: Eloquent Listening and the Pleasures of the Writer’s Craft. My copy is marked up with several favorite passages.
This quote is on the Northwest Writing Institute website:
“The problems of our time are political, ecological, economic—but the solutions are cultural. How do people speak their truth? How do we listen eloquently? If communication is the fundamental alternative to violence and injustice, what is the work of each voice among us?” Kim Stafford
For a time, twenty of us enjoyed communally “the daily bread of language,” as my new poet/printer friend would say.
Here is a link to William Stafford reading “At the Un-National Monument Along the Canadian Border.”
You might enjoy these wise words:
It just so happened that at the close of our class, Terrain.org: A Journal of the Natural and Built Environment featured a fascinating interview with the Stafford family, “Talking Recklessly.”


“I turned left after the bridge over the Snake and headed east along the trail country. The basalt cliffs along the river gleamed in the sunlight, and the austerity of landscape reminded me of the austerity of mission. 

Before he left, Ronn made a point of spending some time with each of us. He wanted to introduce me to the founder of one of Rochester’s ad agencies, so we drove there one afternoon. On the way, we talked about
“Please take care of yourselves (and I don’t mean that as a pseudo-parent statement.) Remember to honor yourselves. I know what it’s like to be a developer or producer. The crap can be overwhelming. And not all clients can recognize your talents.



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“The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.” Upstream, by Mary Oliver








“Each beginning is the end of a waiting. We are each given exactly one chance to be. Each of us is both impossible and inevitable. Every replete tree was first a seed that waited.” –
Lab Girl is for women in science and research, and women thinking of careers in science and research. But men in science and research will love the book, too.

I’m fascinated by the sound of
“…she listens to reports of war in Europe…people lean in to discuss FDR, the Lindbergh baby, Amelia Earhart’s final flight…Audrey stands in line, overhearing news of the McCarthy hearings, Eisenhower, and Nixon…she watches anchormen speak of Korea, Vietnam, and the Cold War, start to finish…Satellites, astronauts, and the moon landing. Martin Luther King and Kennedy, their eventual assassinations, until talk is replaced by Three Mile Island. Love Canal, the Exxon Valdez…She’s there for all of it: Iran-Contra and Monica Lewinsky. The invention of the automatic coffeemaker, the atomic bomb, personal computers. The years fall like spent leaves…Audrey remains at the Saint Lawrence State Hospital from 1931 to 1996.” — 

By the way, Ann just released her new novel,
Read a collection of essays:
Read a dystopian or post-apocalyptic novel:
Read a book over 500 pages long:
Read a book about politics, in your country or another (fiction or nonfiction):