I liked the movie version of the first book in the The Hunger Games trilogy, (unlike many viewers) and I liked Catching Fire, the movie version of book #2, even more.
When a book or movie is wildly popular, I’m curious to know the reasons. I want to know how the creator birthed a story that inspires passion in so many people. The Hunger Games is epic, powerful, and true to our times, and in capable artistic hands it speaks to us whether the medium is the page or the screen. The Hunger Games books and the movies have become fused in my memory, and it is difficult for me to separate the two – it’s the story itself that stays with me.
Suzanne Collins’ trilogy is based, in part, on the Greek myth of Theseus and the Minotaur, which she read when she was eight years old. According to Wikipedia, in one version of the myth, the king of Crete demanded that every nine years seven Athenian girls and seven Athenian boys be sacrificed to the half-man, half-bull Minotaur. Theseus volunteers to go in place of one of them and slays the Minotaur. (In The Hunger Games, Katniss volunteers to go in place of her younger sister, Prim, and Peeta volunteers to replace Haymitch.)
In interviews, Suzanne has said she was intrigued by reality TV shows that feature ordinary people viewers can relate to trying to prevail in impossible situations; she has also noticed our voyeuristic desire to watch others in their most private, vulnerable, and humiliating moments. Flipping through TV channels one evening, Suzanne was struck by news footage from the Iraq war on one channel and “Survivor” competitors on another channel. A former writer of children’s television programming, Collins has spoken in interviews about how viewers become desensitized to real-world violence if they are continuously exposed to the entertainment violence of modern media.
Probably most formative of Suzanne’s artistic vision was the fact that when she was six years old, her father served as a military advisor in Vietnam. News footage on TV of the death and destruction in Vietnam confused and frightened her. After the war, when her family was living in Europe, Suzanne’s father often took them on tours of famous World War I and World War II battlefields, where he taught them about military strategy and history.
Although she’s been criticized for depicting children killing children, Suzanne is not an advocate of violence or war. Katniss, Peeta, and many of the others in The Hunger Games clearly suffer the post-traumatic effects of war, oppression and deprivation. In my mind, they echo the child soldiers and the children who are victims of bombings and other atrocities we see often in the news. Several stories about The Hunger Games in the media have highlighted the irony of the fact that Suzanne lives in Sandy Hook, Connecticut. I wonder if that experience will result in another powerful and timely story.
For me, iconic images from Catching Fire include the silhouettes at sunset of Katniss, Peeta, and a dying tribute who has just sacrificed her life for Peeta; the citizens of Rue’s District 11 giving the three-fingered salute; and, in one of the closing scenes, a riveting shot of Katniss that embodies the essence of sacrifice.
I’ve been especially moved by these characters: Cinna (Lenny Kravitz) and how he takes a stand with his art; Haymitch (Woody Harrelson) and his flawed strength; Eppie (Elizabeth Banks) and her transformation; the growing strength of Prim (Willow Shields); the fire and directness of Johanna Mason (Jena Malone); and the depth of feeling and loyalty of the deceptively shallow Finnick Odair (Sam Claflin).
Recently, Suzanne Collins published Year of the Jungle, a picture book about a child whose father goes off to war.
Have you seen Catching Fire? What do you think of the movie and/or or the book? Please share your thoughts in the comments below.